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or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
'Liber monasterii Wygornie' 14th century (f. 1).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1042' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; in the catalogue of 1666, Royal Appendix
1 large initial with a partial foliate border, in colours and gold (f. 1). Large and small initials in blue with red flourishing, or red with purple flourishing. Pharsalia ? Palla Strozzi (d. 1462), many of whose manuscripts went to
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or blue. Capital letters highlighted in yellow. Cadels. Bibliotheca
in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on
in colours, gold and silver (ff. 1, 3). 5 large foliate initials, in colours, gold and silver (ff. 7, 11, 14, 19, 25v). 1 smaller initial in gold on a red ground (f. 21). 1 small initial in gold on
ends 'descendant in infernum viventes'.Catchwords and bifolium signatures. Some pointing hands in the margins, sometimes with annotations (e.g., f. 265). 1 initial in blue on gold ground, with a red rose, and a full border with red and white Tudor
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
transferred there in 1638, with a 18th century French note regarding the manuscript’s provenance (f. ir-v), and 'No. 197' (f. 1, lower left corner).? The abbey of St-Laurence (18th century French note regarding the manuscript’s provenance, f. ir-v).Charles Burney (b.
by John Multon, London stationer (will of 1475): see discussion Christianson 1990.Thomas Wall, Windsor Herald, 1525: his added arms (f. 1); his name (ff. 89v-92); his record of purchase 'This boke belongyth unto T. Wall alias Wyndesor herault at armes