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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

1293 results from this resource . Displaying 481 to 500

the prologue to the commentary on Matthew. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue

1757. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with

commentary on III John. 2 historiated initials, in colours and gold (ff. 1, 165), each accompanied by a full border, the second incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing,

Royal Library): Westminster inventory number 'no. 82' (f. 1), included in the inventory of books in the Upper Library at Westminster of 1542; red seal of a ship, 17th century (f. 1); inculded in the 1698 catalogue of the library

Royal Library): Westminster inventory number 'no. 82' (f. 1), included in the inventory of books in the Upper Library at Westminster of 1542; red seal of a ship, 17th century (f. 1); inculded in the 1698 catalogue of the library

Salomonis et eius penitentia', see Hunt 1958) (ff. 160-161).Written by three hands (Hand I: ff. 2-84v, attributed to Rochester Scribe 1 by Waller 1980, other manuscripts written by him are Trinity College, Cambridge, O.2.24 ff. 1-111v, and Royal 12 C

the arts, inscribed as usual by their librarian, Humfrey Wanley ‘20 die mensis Octobris, A.D. 1725’ (f. 1); inscribed 'Oxford B.H.' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during

Decorated initial 'P'(rimo). 1 leaf between ff. 222-223, and 1 leaf between ff. 251-252 are unfoliated; both are blank, apart from one quire mark. Threaded book-mark (f. 133). Underdrawing in plummet and crayon for initials on ff. 9v, 196. Large

May 2006).The Opera di San Jacopo in Pistoia: inscribed by two notaries: Ser Bartolomeo da Forlì, chancellor of Pistoia (ff. 1, 135), and Franciscus Luce; 15th-century pressmark 'E.V.' (ff. 133, 191v; see Wright 1972). John Gibson (fl. 1720-1726), dealer: sold

and the 1395 library catalogues (see ~Catalogi veteres~ 1838); ownership inscription, early 14th century 'Liber sancti Cuthberti de Dunelm<o>' (f. 1); ownership inscription, early 15th century (f. 3; see Watson 1987).Robert Brakenbyri (d. 1391), monk at Durham: inscribed 'Liber Roberti

Coloured initials. This copy of 'Strategemata' belongs to the Anglo-Norman family, which also includes Cambridge, Peterhouse, 252.iii (11th-12th century, northern France) and Oxford, Lincoln College, lat. 100 (written by William at Malmesbury c. 1125), according to unpublished notes of

neumes (with ~litterae significativae~), England (New Minster – Winchester), second quarter of the 11th century (f. 50-50v) 2 full-page and 1 half-page ink drawings with some colours and a wash of green, blue or red (ff. 6-7). Large and small

the readings for Christmas Day from John 1. According to Wormald 1963, the manuscript was almost certainly kept on the high altar.This manuscript was formerly Stowe 960.Added notated Exultet (f. 50-50v).Anglo-Saxon neumes (with ~litterae significativae~), England (New Minster – Winchester),

mounted cuttings as Add. 17864. To order this cutting in the Manuscripts Reading Room order Add. 17864.Muscial notation. 1 miniature of the Ascension and a faceted initial letter 'P', in colours and gold, introducing the second responsory of the first

7 A xi, ff. 19-24 (see Ker, 1960). Initials in red and purple with penwork decoration (f. 1), red (ff. 2, 41, 108), or red and green(f. 76v). Rubrics in red. Hexameron; De situ Jerusalem The cathedral priory of St.

with red penwork decoration, and one in red with blue penwork decoration, and musical notation on red four-line staves (ff. 1, 2, 128, 129).Guglielmo Libri : his sale catalogue, 7 February 1864, lot 118, and 1895, lot 64, bought by

Anitphon with neumes. ff. 69-72 are fragments from the same manuscript as Stowe 1061 f. 125. Musical notation in many fragments.Mostly removed from bindings.ff. 1-21v; 24-47v; 51-57v; 61-63v; 65; 67-68v; 73 are various fragments, including of the Laws of

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 25 July 2024), https://www.manuscriptsonline.org/search/results?ct=lm&ft=t&kw=1&sdt=1124&st=480