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is the first of the Nine Lessons of the Dirge, a sequence of verses drawn from Job (Job 7:1621 [lesson 1], 10:17 [2], 10:812 [3], 13:2228 [4], 14:16 [5], 14:1316 [6], 17:13 and 11-25 [7], 19:2027 [8], and 10:1822 [9])
where they may be of interest. On the fragment attributed to Bird by Hanna, see the note to line 1.1 S, a generally reliable copy, reverts to a chanson d'aventure formula the narrator on horseback at the expense of
lyric translation of the Latin hymn Angelus ad Virginem (voiced by Gabriel), and finally, continuing the biblical reference to Luke 1, a version of the Song of the Magnificat (voiced, of course, by Mary) in refrain stanzas. Thus the Marian
imagine that we can grasp its being" (Gower, Confessio Amantis, ed. Peck, vol. 1, p. 3n8, paraphrasing Augustine's Confessions 11.31.41). 20 Gower, Confessio Amantis, ed. Peck, vol. 1, p. 5. 21 Peck makes a similar claim in "John Gower: Editor,"
Francis in the South English Legendary John Lydgate, Saint Austin at Compton: Notes JOHN LYDGATE, SAINT AUSTIN AT COMPTON: FOOTNOTES 1 Lines 5-7: Abel, whose life was sinless, began [the practice of tithing: see line 2] / Simply to give
manuscripts of groups 1 and 2 are generally considered the most complete and authoritative.49 The base text of Seymours edition, Queens College, Oxford MS 383, is a manuscript of subgroup 1, though the characteristic omissions of subgroup 1 are supplied
Plays: Play 2, Creation of the World; Fall of Man Play 2, CREATION OF THE WORLD; FALL OF MAN: FOOTNOTES 1 Here Eve returns to Adam her husband and says to him 2 Here God withdraws, and a seraphic angel
Over; enemies (see note) (t-note) Go To Play 16, Shepherds The N-Town Plays: Play 15, Nativity Play 15, NATIVITY: FOOTNOTES 1 Here while Joseph is away, Mary bears the Only Begotten Son 2 Here Zelomy touches the Blessed Virgin Mary,
25, Raising of Lazarus The N-Town Plays: Play 24, Woman Taken in Adultery Play 24, WOMAN TAKEN IN ADULTERY: FOOTNOTES 1 I do not wish the death of the sinner. (See Ezechiel 33:11) 2 Here, the young man runs outside
(see note) I would be a (see note) Charles d'Orleans, from Fortunes Stabilnes, Notes CHARLES D'ORLEANS, FROM FORTUNES STABILNES: FOOTNOTES 1 Except for Comfort [who] comes to see him [when he is] in a bad state 2 That [this whole
in hande, Betuix thre and sex - whoso wyll understande - Mekyll baret ande bale shall fall in Brutis lande. 1 When pryde is most in price, ande wyt is in covatyse, Lychory is ryffe, and theffis has haldin thar
Reg: line added at right by LH, replacing misplaced In ses (canceled). Play 9, THE FLOOD: EXPLANATORY NOTE FOOTNOTES Footnote 1 See C. Davidson, From Creation to Doom, pp. 5152. Footnote 2 Davis, ed., Non-Cycle Plays, pp. 2223 and 2829;
Virgin (Fergus) The York Corpus Christi Cycle: Play 44, The Death of Mary Play 44, THE DEATH OF MARY: FOOTNOTE 1 And they shall sing an antiphon, for example, Hail, queen of heaven Play 44, THE DEATH OF MARY: EXPLANATORY
Cycle: Play 45, The Assumption of the Virgin (Thomas Apostolus) Play 45, THE ASSUMPTION OF THE VIRGIN (THOMAS APOSTOLUS): FOOTNOTES 1 That he was leader and Lord in their law made no difference 2 Rise up, my dearest one, my
and Oxford University MS Digby 196 fols. 20v -21r (in 64 lines). The Cambridge version was printed by Wr PPS 1: 224-26 and again by Dobson in The Peasants' Revolt of 1381, the latter including English translations of the Latin
of Judas The York Corpus Christi Cycle: Play 31, The Trial before Herod Play 31, THE TRIAL BEFORE HEROD: FOOTNOTES 1 Peace, you reprobates and brawlers, in this broad space surrounded 2 Against giants ungentle have we joined (gone to
hu ye ham schulen leofliche learen. Go To Part One Ancrene Wisse, Author's Preface: Notes ANCRENE WISSE, AUTHOR'S PREFACE: FOOTNOTES 1 I, In; nome, name; Ancrene Wisse, Anchoresses' Guide. 2-6 Recti diligunt te . . . te, "The righteous love
of The Life of St. George." Go To St. George and the Dragon ST. GEORGE AND THE DRAGON, INTRODUCTION: FOOTNOTES 1 Matzke, "Contributions," pp. 147-58. See also Robertson, The Medieval Saints' Lives, pp. 45-46, for a translated extract from the
an effort to link the authorship of the Alliterative Morte Arthure and The Pistel of Swete Susan, Moritz Trautmann [Anglia, 1 (1878), 109-49] noted eleven words which he thought were unique to the two poems. His word list has been
the scene (see illustrations 3 [p. 98] and 5 [p. 282] of volume 1). Although the Bodley 902 illumination is placed at the beginning of Book 1, it is as if we are at the end of the poem when