• Illustration of the Centaur., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of Anticanis., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Miniatures of the heads of five men in diamond-shaped panels of text., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Illustration of the 'planesphere' of Geruvigus, showing the positions of the constellations in the band of the zodiac., Aratea, with extracts from Hyginus's Astronomica in the constellation figures

of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,

• Detail of historiated initial 'A'(nte) with the Last Supper, at the beginning of the reading for Holy Thursday. Christ passes a sop to Judas who sits on the other side of the table from Christ and the other Apostles. At this moment, Satan, shown here in the form of a black bird, enters Judas., Gospel Lectionary, imperfect

silk curtains, which have now been removed and are stored with the original covers as Egerton 809B. These covers are blue velvet over boards, with an inset painting of Bishop Blaise, Agnes and ? Anthony Abbot. 4 full-page framed miniatures

• Painted drawing of Mystic Paradise, with the Virgin and Child at the centre, flanked by personifications of the virtues and the symbols of the Evangelists, at the beginning of epistle I.2., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Tree of Vices, with Pride at the bottom and Luxury at the top, with snakes and dragons, at the beginning of epistle IV.1., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Tree of Virtues, flanked by angels, with Love at the top with an image of Christ blessing, illustrating epistle IV.1., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Victory of Humility, stabbing Pride, in the centre, flanked by Jael and Judith, at the beginning of epistle IV.2., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Wise and Fooling Virgins, in the second register, with Christ in Judgement above, and in the lowest register, angels blowing trumpets awakening the dead, at the beginning of epistle VI., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the parable of the Sower, interpreted as the fruits of virginity, chastity, and conjugality, likening the virgins to the hundredfold fruit, the chaste to the sixtyfold fruit, and the married to the fortyfold fruit, each personified as men and women, often with books, placed in a stylised tree, with Adam and Eve at the base and Christ at the top, at the beginning of epistle VII., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing in a cruciform shape of the Fruits of the Flesh and of the Spirit, with God at the top and a dragon at the bottom, including personifications of Reason, Wisdom, Goodness, and Law, holding a sword, at the beginning of epistle VIII., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Ladder of Virtue, with nuns climbing a ladder towards Christ, and a devil with swords, and a dragon below, at the beginning of epistle IX., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of Christ in Majesty in a mandorla holding an open book, surrounded by martyrs and saints, with a kneeling monk touching his right foot, at the beginning of epistle X., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Drawing of the Temple of Wisdom, with an abbreviated genealogy of Christ, with, the Virgin holding an open book, and Christ above, in an architectural setting with columns, and the seven gifts of the Holy Spirit are inscribed on leaves above, at the beginning of epistle XI., Speculum virginum

(f. 1).Musical notation: neumes on staff (f. 1). 12 large diagrammatic drawings in brown or colours with highlighting in green, blue, yellow and red (ff. 2v, 13, 28v, 29, 34v, 46, 57v, 70, 83v, 93v, 108v, 114v). 2 small miniatures

• Decorated initial., Historia Anglorum

heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v, 53v, 84v, 101, 143v, ).

• Decorated initial., Historia Anglorum

heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v, 53v, 84v, 101, 143v, ).

• Detail of coloured initial., Historia Anglorum

of heraldic arms (f. 144). 1 bas-de-page drawing (f. 168v). Large initials in red, green and/or blue with penwork decoration or pen-flourishing in green (and red) or red (and green) (ff. 2, 3, 4, 20v, 34v, 53v, 84v, 101, 143v,

• Coloured letters., De trinitate (excerpts) (ff. 9-85v); De doctrina christiana (excerpts) (f. 8r-v); De rerum naturis (ff. 9-35v); calendar (ff. 1v-7v)

initial in gold on a blue wash background (f. 9). 'KL' letters in red and green. 2 initials in red with green penwork decoration (ff. 16, 50v). 1 large initial in green, with simple penwork decoration (f. 8). 1 large

• Detail of decorated initials 'I'(ncipiunt) and 'P'(romittit), at the beginning of the 'Capitula in librum Iosue'., Bible (Joshua, Judges, Ruth, and I-IV Kings) (The 'Rochester Bible')

f. 52v), the preface to Kings (dragons, f. 55v), and 3 Kings (hybrid lion-birds, f. 120v). Smaller initials in red, blue, and green, some with penwork decoration (e.g., ff. 14v, 42, 60v, 70v, 116v, etc.) Bible (Joshua, Judges, Ruth, and