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at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
60v, 81v, 88v, 112v, 121v, 130, 155, 170, 227, 241), at the beginning of books. Small initials in red or blue. De civitate Dei; Notae on De ciuitate Dei The cathedral priory of St. Andrew, Rochester: inscribed, 'Liber de claust[r]o
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
red with penwork decoration (ff. 1, 19v) or in red and green (f. 108). Numerous initials in red, green or blue, some with penwork decoration. Rubrics in red. Maniculae and marginal notations in a later hand. Symbolum fidei, Registrum; Recantation
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
in red, initials in red, some with penwork decoration in green, in purple with penwork decoration in green, or in blue with penwork decoration in red and/or green. First letters of sentences highlighted in green or red. Glosses in red
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
5th earl of Ashburnham: his manuscript Barrois MS. 214; the Ashburnham-Barrois sale, 10 June 1901, lot 332 (inscribed '332' in blue pencil, in the lower left corner of the upper pastedown), bought by the British Museum, using the Bridgewater fund
MSS 628-709), and a further 17 lots were purchased subsequently for £2 9s. 6d. (Egerton MSS 710-730). Small initials in blue with red foliate pen-flourishing. De emendatione vitae (ff. 2-26v, begins imperfectly); Treatise in nine chapters (ff. 27-47v, begins imperfectly);
initials in red and brown or blue (ff. 1, 5, 5v, 76, 142, 161v, 270). Small initials in plain red. Miscellany, including a history of Susanna, 58 Aesopic fables (ff. 171-187), a liber 'de doctrina cordis' (ff. 5-141v); Alan of
English Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Small plain initials in red or blue. 2 leaves from a glossed Gospel, of Matthew 2 f. 2: from the same manuscript as Cambridge, Corpus Christi
(pp. 134-35) and Burney 357, f. 24v, for a list of contents of the manuscript. Simple small red, brown, or blue initials, a few with simple decoration in a second colour. Epistola de sacrificio azymi et fermentati, and misc. theological
of the solar system in brown and red (f. 19). Small initials in brown or red. Text in red or blue. Aratea, with extracts from Hyginus's Astronomica in the constellation figures f. 1 is a slightly later addition (c. 1000,