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of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119).
busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
with busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119).
busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large
busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large
busts, in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large
in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial
in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial
and/or alternate colour and occasionally in blue. 1 large initial in red and green, decorated with foliate motifs in both colours (f. 57). Smaller initials in red or green. Display script in green, red, blue and mauve. Rubrics in red,
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
God, at the beginning of John and of the Tractatus in Evangelium Iohannis of Augustine (ff. 3, 14v). Initials in blue, green, red, or purple, some with penwork decoration and/or yellow washes (e.g., ff. 30v, 35). Gospel of John; Augustine,
at the beginning of the text (f. 1v). 3 initials with penwork decoration and display script in green, red, and blue (f. 1v). Smaller initials in red, green, or purple throughout the text. Commentary on the Pauline Epistles The cathedral
1 inhabited initial in colours, with display script, at the beginning of the text (f. 1). Initials in red, brown, blue, or green, at the beginning of chapters. Enchiridion The Benedictine abbey of St Augustine, Canterbury: included in the catalogue
in colours at the beginning of Bede's commentary to James's Epistle (f. 2). 7 large initials in red, green or blue, some with a decoration in the form of dots, at the beginning of the commentaries to other Epistles and