with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
with foliate extensions into the margins, in colours and gold. Small initials in gold on red and blue grounds. 1 small initial in blue with red pen-flourishing (f. 2). Capital letters highlighted in red. Missal, use of Paris The calendar
61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et
61, 61v, 62v, 63 (x2), 63v, 64 (x4), 64v (x2), 65, 87, 118v). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Li Livres dou Tresor Inscribed, 15th century: 'lan mil troy sens et cinquante et
with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.
with supplementary material, ed. by Allan Stevenson, 4 vols (Amsterdam: Paper Publications Society, 1968), no. 11209 (Madrid, 1547). Initials in blue with foliate decoration in red and purple (ff. 2, 17, 30v, 45v). Puzzle or plain initials in purple (ff.
1808. Drawing in colours of the Crucifixion (f. 22). Historiated initial in colours (f. 22). Puzzle initial in red and blue (f. 19). Paraphs in red. Various works including the tale of Adam of Bristol (ff. 19-27v) and 'Les trente
gold ground (f. 1, perhaps 19th-century ?), with a three-sided border incorporating heraldic arms. Small initials alternately plain red or blue, often in unusual angular forms. Epitome bellorum omnium annorum DCC An ecclesiastical member of the Capra family, perhaps Bartolomeo
forming part of the letter. 2 historiated initials in colours (ff. 1, 2). Small simple initials in red, green, or blue. Epistola de vita S. Dunstani; Life of St Dunstan The Benedictine cathedral priory of Christ Church, Canterbury (see f.