• Illuminated initial 'I' with foliate decoration., New Testament, in the later Wycliffite version, with prologues and a calendar and table of lessons for the use of Sarum from both Testaments

of red and blue with foliage penwork decoration. Large initials in gold on red and blue grounds with foliate penwork decoration extending into the border. Large initials in blue with red penwork decoration. Small initials in blue. Line-fillers in red.

• Historiated initial of Daniel seated in a room with landscape in the background at the beginning of Daniel., Old Testament (volume 2), from Psalms

230). Large initials in red with brown and sometimes blue penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels.

• Historiated initial 'U'(nd) of a boat with sailors, Jonah, and the whale, at the beginning of Jonah., Old Testament (volume 2), from Psalms

230). Large initials in red with brown and sometimes blue penwork decoration, or in blue with red and sometimes blue penwork decoration, many with faces. Small initials in red or blue. Rubrics in red. Highlighting of letters in red. Cadels.

• Illuminated initial and border., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers

• Decorated initials., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers

• Drawing of a chemical process with a standing man, in the Practica geometrie., Scientific miscellany, including John Metham's Summa Chiromantiae (ff. 75-96)

and blue grounds with white filigree, and sprays (ff. 14, 17v, 20, 21v, 26, 34v, 41v, 51, 54, 57, 63, 105, 122v, ). Large initials in blue with red pen-flourishing, often in foliate forms. Paraphs in red or blue. Numbers

• Puzzle initial 'M'., Stimulus Conscientiae (Prick of Conscience); The Abbey of the Holy Ghost, and other devotional texts.

architectural frame in colours (f. 1v). Partial border in red and blue penwork, partly excised (f. 2). Large puzzle or decorated initials in red and blue, with red and blue pen-flourishing forming a partial border, some with human or animal

• Miniature of Jerome and the lion, decorated initial 'V'(erba) and foliate borders, at the beginning of Jerome's Psalter., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Crucifixion., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Musical notation., Gradual, of Carthusian use, imperfect, including Temporale and Sanctorale

in blue and red with blue, red, and brown pen-flourishing forming a partial border (f. 1). Large initials in blue with red pen-flourishing. Large initials in brown with penwork decoration, many in the form of faces. Paraphs in blue. Small

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Mass of St Gregory., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of a miniature of the martyrdom of Thomas Becket of Canterbury., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Mary Magdalene., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Miniature of the Agony in the Garden., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Christ before Pilate., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Flagellation of Christ., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of Christ carrying the Cross., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with

• Detail of miniature of the Deposition., Book of Hours, Use of Sarum

red and blue grounds with foliate extensions into the margins, at the beginning of prayers (ff. 47v, 48v). Small initials (2 lines) in gold on red and blue grounds. Small initials in gold with blue pen-flourishing or in blue with