• Miniature depicting God in heaven telling Moses (with horns), Aaron (a bishop with crozier and mitre), and an attendant, all standing before an altar, to instruct the Children of Israel in proper forms of sacrifice. Illuminated initial 'A'(pres) begins Leviticus Chapter One. Decoration extends into a partial border. Instructions to the artist are found at the lower part of the folio., Old Testament (index Bible)

Decorated initials and partial borders, in red, blue and gold, for minor text divisions. 1 diagram, in brown ink (f. 73v). Smaller and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Old Testament (index Bible)

• Inhabited illuminated initial 'P'(rimum) with human figures and animals, at the beginning of book 1., De universo seu De rerum naturis

(f. 6). Decorated initials with arabesque foliate ornament in blue, red, and green, larger at the beginning of books, and smaller at the beginning of chapters. Small initials in red, blue, or green throughout the text. De universo seu De

• Coloured initials with pen-flourished decoration and music staves., Fragments of a leaf from an early 14th century English Missal containing the Mass for the 5th and 6th Sunday after Pentecost

Museum in the 1814 and 1891 (see notes on f. 1).Musical notation Initials in blue with pen-flourishing in red. Initials and rubrics in red. Paraphs in blue. Musical notation: square notation on four-lines red staves. Fragments of a leaf from

• Decorated initials 'Q'(uid) and 'U'(nde) with penwork decoration in Seneca's Hercules., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Hercules. Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules

• Text page written by Bartolomeo of San Gimigniano in 1387., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

Large initials unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens

• Coloured initial 'E'(t) in Oedipus., Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

unfinished or in brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29),

• null, Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50), Phoenissae (ff. 50v-62v), Phaedra (ff. 63-86), Oedipus (ff. 86v-106), Troades (ff. 106v-128), Medea (ff. 128v-147v), Agamemnon (ff. 148-166), Octavia (ff. 167-185), Hercules Oetaeus (ff. 185v-221v)

brown ink. Small initials in blue with red penwork. 1 diagram showing the family relationship of Nero and Claudius (f. 166v). Some marginal sketches (e.g. ff. 76v, 81v, 82, 94). Tragoediae (index Tragedies): Hercules furens (ff. 5-29), Thyestes (ff. 29-50),

• Detail of puzzle initial 'G'(aufridus de mandeville comes)., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Pen-flourished initials., Cartularium abbatiae de Walden (Cartulary of Walden made for Abbot John Pentelowe, arranged mainly topographically, with sections of foundation, royal and episcopal charters (ff. 18-42), papal privileges (ff. 69v-75).

and blue with red and purple pen-flourishing, often with partial bar borders in the same colours. Large blue initials with red pen-flourishing, some with foliate motifs or faces. Rubrics, marginal annotations, and headers in red. Smaller plain initials in blue.

• Decorated initials with pen-flourishing at the beginning of book 4., Aeneid (index Aeneis)

book 6 of Justinian's Codex (late 14th-century, Italy) with initials in blue with red pen-flourishing and in red with purple pen-flourishing.f. 9 is a parchment leaf. Large initials in blue, blue-grey, red and/or ochre with pen-flourishing using the same colours

• Detail of a drawing of a Zodiac man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Detail of a drawing of a Zodiac man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Detail of a drawing of a vein man., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Drawing of man with notes of body parts., Medical miscellany

of the world (f. 36). Large and small initials in plain red, some with reserved designs. 1 large initial in blue (f. 39). Capital letters highlighted in red. Elaborate cadels with foliate, zoomorphic or human motifs in brown ink decorated

• Decorated initial 'R'(icardus) with pen-flourishing at the beginning of the statutes of Richard II., Nova Statuta (index Statutes of England; Statuta Angliae, Statute book), from 1 Edward III (ff. 13-217) to 7 Richard II (ff. 217-271)

very close to Lansdowne 475.Catchwords written horizontally. Leaf signatures. Initials in gold with purple pen-flourishing including foliate motifs. Paraphs in blue or red with penwork decoration in the other colour. Nova Statuta (index Statutes of England; Statuta Angliae, Statute book),

• null, De bello Judaico

the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue, with red and blue pen-flourishing, at the beginning of Books 2-7 (ff. 42, 72, 90, 100v, 112, 132v). De bello Judaico

• null, De bello Judaico

the beginning of the prologue and Book 1 (ff. 4, 5v). 6 large puzzle initials in red and blue, with red and blue pen-flourishing, at the beginning of Books 2-7 (ff. 42, 72, 90, 100v, 112, 132v). De bello Judaico

• Detail of an historiated initial 'A'(er) of a man pointing at a depiction of air, shown as a passage of wavy blue., Omne Bonum (Absolucio-Circumcisio)

at a depiction of air, shown as a passage of wavy blue. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order. Bound in four volumes: Royal