• Diagram of the seven vices represented as devils: Superbia (Pride), Invidia (Envy), Ira (Wrath), Accidia (Sloth), Avaricia (Covetousness), Gula (Gluttony), and Luxuria (Self-indulgence), each subdivided, and countered by doves representing the seven gifts of the Holy Spirit, a knight on horseback with the shield of faith, and an angel. The armour of the knight and the trappings of the horse are labelled with the names of virtues., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• Diagram of the seven vices represented as devils: Superbia (Pride), Invidia (Envy), Ira (Wrath), Accidia (Sloth), Avaricia (Covetousness), Gula (Gluttony), and Luxuria (Self-indulgence), each subdivided, and countered by doves representing the seven gifts of the Holy Spirit, a knight on horseback (the 'Just Man') with the shield of faith and armed with virtues, and an angel. The armour of the knight and the trappings of the horse are labelled with the names of virtues., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• Miniature of a pard ('Pardo) with its mate attacking a ram. Below: miniature of a panther ('Panthera') emerging from a cave. The text explains that when the panther awakes from a nap, its breath is so sweet that all the animals, except the dragon, gather around to sniff it., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• Miniatures of bees collecting pollen from flowering plants, and below, of doves nesting in the peridens tree. A dragon waits below the peridens' branches, hoping to have an opportunity to catch one of its enemies, the dove, according to the text. On the opposite page, a snake is depicted in the upper miniature, and a dragon below., Theological miscellany, including the Summa de vitiis (see Notes for contents)

miniatures on every page illustrating the bestiary (ff. 36-67v). Large initials in blue with red penwork decoration. Small initials in brown or red. Rubrics in red. Paraphs in blue or red, some with penwork decoration. Decorated nota marks, some with

• Drawing of Edward VI seated on a throne inscribed with a motto 'Dieu et mon droit' and 'Vivat rex', receiving the book from the author William Forrest., The pleasaunt poesye of princelie practise, imperfect

gold of a crowned Tudor rose, at the beginning of the poem (f. 8). Initials in gold on rose or blue grounds, or space left for the initials (ff. 51-78). The pleasaunt poesye of princelie practise, imperfect Added leaves of

• Illuminated initial 'T'(he nobleste) of a crowned Tudor rose, at the beginning of the poem., The pleasaunt poesye of princelie practise, imperfect

gold of a crowned Tudor rose, at the beginning of the poem (f. 8). Initials in gold on rose or blue grounds, or space left for the initials (ff. 51-78). The pleasaunt poesye of princelie practise, imperfect Added leaves of

• Text page with coloured initial words., Guide of the Perplexed in Judeo-Arabic

(f. 190).Hebrew inscriptions (ff. 190v, 191).Numerous inscriptions in Hebrew characters (f. [ii]).Arabic inscription (f. 0).English inscription about the content in blue pencil (f. 0).Judeo-Arabic and Hebrew inscriptions (ff. 1, 191v).Sir Thomas Baring (b. 1772, d. 1848), British banker and MP:

• Foliate initial 'C'(lemens) with a medallion of a portrait of the author, pope Clement I, at the beginning of the text., Collectio Lanfranci

author, in colours and gold (f. 1). Decorated initials, some with arabesque ornament, in green, red, purple, or / and blue. Initials in red, green, purple. Collectio Lanfranci The Benedictine abbey, Winchcombe, Gloucestershire: attributed to its scriptorium on palaeographical and

• Detail of a coloured drawings of the Mocking of Christ and to the right, Israelites spit on Hur who refuses to adore the golden calf., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of the Creation of Eve., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of God the Father warning Adam and Eve not to eat from the tree of knowledge of good and evil., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of the Original Sin (index Temptation) with the serpent, Eve and Adam., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of Adam and Eve eating apples from the forbidden tree., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of the Expulsion from Paradise., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Coloured drawings of Adam digging and Eve spinning, and the Ark, to the right., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Coloured drawings of the death of Codrus, king of Athens: disguised as a peasant, he seeks to be killed by enemy soldiers to save his city, because he had learned from the oracle that the side whose king fell would be victorious ; and on the right, Eleazar, brother of Judas Maccabeus, kills an elephant of war and is killed himself when the elephant falls on him., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Coloured drawings of the parable of the lost drachma and to the right, Saul giving Michal in marriage to Phalti., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Detail of a coloured drawing of the torments of the damned in Hell., Speculum humanae salvationis

a different artist (f. 4v, top left).f. 52v is blank. Coloured drawings (2 per page, ff. 4v-52). Coloured initials in blue, green, or red. Capitals marked with red. Speculum humanae salvationis Nathaniel Noel (fl. 1681, d. c. 1753), bookseller, employed

• Arms of Robert Steward (d. 1557), prior and dean of the Benedictine cathedral priory of Ely; inscribed, 'Arma d[omi]ni Roberti Steward prioris Elien[sis]'., Philomela

pp. v-103. Added arms in brown ink of Robert Steward, prior of Ely (f. 43). Plain initials in red or blue. Rubrics in red. Philomela Robert Steward (d. 1557), prior and dean of the Benedictine cathedral priory of Ely: his

• Initials with penwork decoration., Regimen sanitatis salernitanum, with commentary

scribe. Large initials in red with pen-flourishing in black, or in blue with pen-flourishing in red, some with leaf decoration. Verse and sentence initials touched in red. Regimen sanitatis salernitanum, with commentary John Covel (b. 1638, d. 1722), chaplain to