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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

6496 results from this resource . Displaying 361 to 380

foliate border, in colours and gold (ff. 1, 34). Smaller initials in gold on red and/or blue grounds. Paraph marks in plain red or blue. Capital letters at the beginning of each line highlighted in yellow. Attributed to Cristoforo Cortese

beginning of Ovid's Metamorphoses. Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v).

Large initials in red with blue flourishing, or vice versa, the penwork ocasionally incorporating an animal or animal head (e.g., ff. 189v, 154v). Small initials alternately blue or red. 4 diagrams (ff. 3, 3v, 150v, 191v). Metamorphoses (ff. 3-180); Commentary

Abbey of St Edmundsbury called Ikworth. 1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary

1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary of the abbey of St Edmund,

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

brown penwork decoration, some including human heads, in the musical notation. Smaller initials in blue with pen-flourishing in red. Small initials in plain red or blue. Antiphoner (index antiphonal, antiphonary), use of Sarum (begins and ends imperfectly) William Petty (~formerly~

(blue), on the left, and 'inopos' (wine-coloured) on the right. Various additions (ff. 1-3; 112-119) Large simple initials in red. Highlighting of letters in red. Diagrams in red with washes of other colours (ff. 58-60). Rubrics in red or

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

initials in yellow set against blue, purple and yellow backgrounds possibly painted over or added later into blanks (ff. 3, 31v, 47, 63v, 79v, 96v, 114, 131v, 153v). Large puzzle initial in red and blue with pen-flourishing in red and

initial in red and blue with penwork decoration in green, yellow and blue, at the beginning of the preface (f. 4). Smaller initials in red with penwork decoration in blue, yellow, and/or green, or in blue with penwork decoration in

Large blue initials with red pen-flourishing, in the text. Small blue initials with red pen-flourishing, in the glosses. Small initials in red with blue pen-flourishing, in the text and in the glosses. Paraph marks in plain red or blue. 3

crenellated building (f. 148v). 1 large initial in blue with red penwork decoration (f. 1). 9 large blue initials (f. 22v, 53, 76, 95v, 117, 136v, 156, 175, 213). Smaller alternating blue or red initials. Rubrics, incipits, explicits, and protagonists'

initials in yellow set against blue, purple and yellow backgrounds possibly painted over or added later into blanks (ff. 3, 31v, 47, 63v, 79v, 96v, 114, 131v, 153v). Large puzzle initial in red and blue with pen-flourishing in red and

115v are blank. Initials in red or blue with pen-flourishing in the other colour including foliate motifs (ff. 1, 20, 30, 30v, 32v, etc.). Line-fillers in red and blue. Paraphs in red and/or blue. Some catchwords decorated with red pen-flourishing

extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor ...

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"Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 27 July 2024), https://www.manuscriptsonline.org/search/results?ct=lm&ft=t&kw=blue%20habit&sdf=1390&sdt=1425&sr=ci&st=360