• On the left, illuminated initial, and on the right, a miniature of the Requiem mass, decorated initial 'D'(ilexi), and full foliate border, at the beginning of the Office of the Dead., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Miniature of a burial., Book of Hours, Use of Sarum (the 'Hours of the Umfray Family')

with decorated initials with partial foliate borders, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Sarum (the 'Hours of the Umfray Family') Erased entries in the calendar commemorating

• Miniature of the Annunciation, with an illuminated initial 'D'(omine), and a full foliate border, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Burial of the dead, with an illuminated initial 'D'(ilexi) and a full foliate border, at the beginning of the Office of the Dead., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Calendar page for June, with a roundel containing the zodiac sign for Cancer, illuminated initials 'KL', and a full foliate border., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Deposition of Christ, with an illuminated initial 'D'(eus), and a full foliate border, at the beginning of the Hours of the Cross., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Pentecost, with an illuminated initial 'D'(omine), and a full foliate border, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Betrayal of Christ, with an illuminated initial 'D'(omine), and a full foliate border, at the beginning of the Hours of the Passion., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Annunciation to the shepherds, with an illumianted initial 'D'(eus), and a full foliate border, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of Luke as a scribe, with his symbol the ox, with an illuminated initial 'I'(n), and a full foliate border, at the beginning of Luke's Gospel., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of the roundel of the zodiac sign for Cancer, at the beginning of the calendar pages for June., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of a miniature of the Annunciation, at the beginning of the Hours of the Virgin., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Deposition of Christ, at the beginning of the Hours of the Cross., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of a miniature of the Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of a miniature of the Betrayal of Christ, at the beginning of the Hours of the Passion., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of a miniature of the Annunciation to the shepherds, at the beginning of Terce in the Hours of the Virgin., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of a miniature of Luke as a scribe, with his symbol the ox, at the beginning of Luke's Gospel., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Detail of an illuminated initial 'I'(n), and a section of the full foliate border, at the beginning of Luke's Gospel., Book of Hours, Use of Paris

every page with pen rinceaux in red, blue and gold, some with painted acanthus, and dragons. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris

• Miniature of the Flight into Egypt, inhabited initial 'D'(eus) with a landscape and foliate borders, at the beginning of Vespers in the Hours of the Virgin., Book of Hours, Use of Troyes

gold. Small decorated initials (2 lines), in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Troyes Unidentified owner, 16th? century: added arms, de ~gueules~ à trois cloches d'or

• Miniature of David penitent, with an inhabited initial 'D'(omine) also of David penitent and foliate borders including David and Goliath with added heraldic arms in the lower margin, at the beginning of the Penitential Psalms., Book of Hours, Use of Troyes

gold. Small decorated initials (2 lines), in colours and gold. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Troyes Unidentified owner, 16th? century: added arms, de ~gueules~ à trois cloches d'or