• Historiated initial 'D'(omine) with the Annunciation, and full foliate borders, at the beginning of the Hours of the Virgin., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Miniature of the Virgin and Child, decorated foliate initial 'S'(alve), and full foliate borders, at the beginning of a prayer., Book of Hours, Use of Sarum

in gold with blue foliate pen-flourishing or in blue with red foliate pen-flourishing. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing or in red with blue pen-flourishing. Line-fillers decorated in red and blue. Decorated catchwords

• Decorated initial 'D'(omino) at the beginning of a dedicatory epistle of Gilbert Foliot, bishop of London to Robert, bishop of Hereford., Commentary on the Song of Solomon

initial in red and blue with penwork decoration in green, yellow and blue, at the beginning of the preface (f. 4). Smaller initials in red with penwork decoration in blue, yellow, and/or green, or in blue with penwork decoration in

• null, Glossed Digestum Novum

Large blue initials with red pen-flourishing, in the text. Small blue initials with red pen-flourishing, in the glosses. Small initials in red with blue pen-flourishing, in the text and in the glosses. Paraph marks in plain red or blue. 3

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Puzzle initial 'V'(estra) with pen-flourishing, at the beginning of Pseudo-Boethius's De disciplina scholarium., De disciplina scholarium, with glosses

Pseudo-Boethius's De disciplina scholarium. 1 large puzzle initial in red and blue with pen-flourishing in blue and red, and decorated extension (f. 1). Small initials in plain red or blue. 1 marginal drawing of a head, 15th century (f. 3v).

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Detail of a bas-de-page scene of devils in stocks, while a queen and an angel look on., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

ebginning of each book. 'Champ' initials in gold on blue and rose grounds with penwork decoration in white. Initials in red with pen-flourished decoration in purple or blue, or in blue with pen-flourished decoration in red. Line-fillers in brown ink

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Illuminated historiated initial 'U' at the beginning of Leviticus, showing Aaron(?), dressed as a thirteenth-century priest, sacrificing a sheep on an altar, watched by similarly dressed Israelites., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul handing the book to the messenger Phebe at the beginning of Romans., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial at the beginning of Luke, with Luke shown writing, with the head of his symbol, an ox, and an illuminated initial below of Zacharias censing the altar (Luke 1:9)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters