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181, 211, 232, 261, 297). Initials in gold on rose and blue grounds with penwork decoration in white, those at the beginning of chapters with foliate extensions. Line-fillers in blue and rose with penwork decoration in white. Facta et Dicta
in a monk's habit, holding a martyr's palm, with a full foliate border with coat of arms. Leaves excised after ff. 9 (off-set from heraldic device on preceding unfoliated flyleaf), 132, 147, 151, 158, 184, 191 (off-set from heraldic device
litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours
litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
dressed in a Benedictine habit and holding a crozier and a full scatter border including dianthus, forget-me-nots, strawberries, insects, and birds. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII,
repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning
of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To
choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /
choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /
red and blue penwork decoration (f. 25). 1 large puzzle initial in blue and red with red and blue penwork decoration (f. 66). Initials in red with blue or brown penwork decoration, or in blue with red and/or blue penwork
blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or
in an astronomical treatise. 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 28). Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Spaces for initials (ff. 42v, 46v). Diagrams.
blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or
blue penwork decoration incorporating aubergine motifs, either full (ff. 1, 57), or three-sided (ff. 17, 29, 37). Large blue initials with green and red foliate or geometric penwork decoration, some with red and/or blue pen-flourishing. Simple alternating red or
1 large initials in gold on red and blue grounds (ff. 6, 22v, 31, 105v, 142). Small initials in blue with red foliate pen-flourishing. Paraph marks in plain red or blue. Medical treatises Note on the content in English, 16th-century
Initials in red and/or blue, many with guide letters, introducing the sixth to twelfth of the twelve degrees of humility. 1 large puzzle initial in red and blue (f. 29). Small initials alternately red or blue, a few of them
Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),
Large puzzle initials in blue and red, with red and purple pen-flourishing (ff. 1, 4v, etc.). Small initials in blue with red pen-flourishing, or red with purple pen-flourishing. Paraphs in plain blue. Epistolae, etc. Charles Burney (b. 1757, d. 1817),