• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Detail of a miniature of, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• null, Ab Urbe Condita, the first decade only

three-sided foliate border, in red, blue and gold (f. 1). Smaller initials in gold on red and blue grounds, with foliate extensions into the margins. Small initials and line-fillers in gold on red and blue grounds.Master of the Berry Apocalypse

• Puzzle initial 'D'(e) with penwork decoration of leaves., In unum ex quatuor, with capitula and tables (ff. 3v-13v) and prefaces, table of lessons (ff. 190-191v), and glossary of names (ff. 191v-194)

in blue and red, with red penwork decoration and pen-flourishing (f. 14). Large initials in blue with red penwork decoration, many with foliate forms, and pen-flourishing. Large and small initials in red or blue. Paraphs in red or blue. Highlighting

• Decorated foliate initial 'G'(losa), at the beginning of Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Decorated initials, in Bartolus de Saxoferrato's In secundam partem digesti veteris., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• Detail of decorated initial., In secundam partem digesti veteris (ff. 6-160), and others

pen-flourishing or in blue with red pen-flourishing. Paraph marks in plain red or blue. Ff. 161-202v: Small initials in red with red pen-flourishing or in blue with red pen-flourishing. Ff. 203-253v: 1 large initial in plain blue (f. 203). Throughout

• null, Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• null, Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis at the start of book II (f. 13); scholia relating to book I 331-341 (ff. 7v-8).

Large gold initial with green vine-stems on blue and red grounds (f. 2). Large red or blue initials with penwork decoration. Small red simple initials. Iliad, each book except book I preceded by one or two monostich summaries; prose hypothesis

• Puzzle initial 'A' with pen-flourishing, at the beginning of the Register book of the Infirmary of the Abbey of St Edmundsbury called Ikworth., Register book of the Infirmary of the abbey of St Edmund, Bury

Abbey of St Edmundsbury called Ikworth. 1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary

• null, Register book of the Infirmary of the abbey of St Edmund, Bury

1 large puzzle initial in red and blue with foliate pen-flourishing in red (f. 4). Large and small initials in blue with red foliate pen-flourishing. Numerous spaces for initials. Register book of the Infirmary of the abbey of St Edmund,

• Initial 'A'(ristoteles) with pen-flourishing, at the beginning of Aristoteles's De generatione animalium., Consilia medica and other texts

blue with pen-flourishing in red, at the beginning of the texts (ff. 7, 31v, 40, 43, 101, 156, 159v, 161, 162v, 166v, 172, 180v, 184, 189v, 211v, 218, 223v, 229v, 235, 235v, 263). Paraph marks in plain red or

• Drawing of a battle between mounted knights., Chanson d'Aspremont, imperfect

45 pen drawings and fragments of 2 more, with a wash of green, and often red, or sometimes yellow and/or blue, often of knights on horseback in combat. Small simple initials in red or green. Chanson d'Aspremont, imperfect William Petty