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Alternating blue and red coloured initials on a page of text from the ~Confectiones et medicine que non sunt in Antidotario Nicolai~. This is the oldest copy of the Tractatus. Numerous miniatures of plants in colours, usually several on a
Puzzle initial 1 large puzzle initial in red and blue with pen-flourishing in purple (f. 1). Small initials in plain red or blue. Cronica de los reyes Don Fernando y Dona Ysabel por Diego de Valera (ff. 1-88, chapters 1-91;
British Library: see Carey 2003. Initials in gold on background of blue and light purple with black and white. Initials in blue with penwork decoration in red. Paraphs in blue. Initials highlighted in red. Rubrics in red. Titles in black
British Library: see Carey 2003. Initials in gold on background of blue and light purple with black and white. Initials in blue with penwork decoration in red. Paraphs in blue. Initials highlighted in red. Rubrics in red. Titles in black
initials in gold on rose and blue grounds with penwork decoration in white and foliate extensions highlighted in green. Smaller initials in gold with blue or purple pen-flourishing, or in blue with red pen-flourishing. Blue initials with red pen-flourishing. 1
initial in blue with pen-flourishing in red (f. 1). Large initials in blue with pen-flourishing in red and blue (ff. 2, 10v, 44). Drawings of surgical instruments interspersed with the text (ff. 1-54v). Initials in red or blue. Small initials
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
and blue grounds with penwork decoration in white and foliate extensions, at the beginning of other Psalms. Initials in red with dark blue pen-flourishing or in blue with red pen-flourishing, at the beginning of verses. Line-filler in red and blue.
an initial in colours (f. 175). Initials and paraphs in gold with black pen-flourishing, or in blue with red pen-flourishing. Line-fillers in gold and blue. Fleur des histoires, books 2-3 Edward IV (b. 1442, d. 1483), king of England and
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or
blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or