• Foliate Initial 'T'(he book) with a full border, at the beginning of Matthew., Wycliffite Bible, in the later version

315, 325v, 333, 353v, 363v, 367v). 'Champ' initials in gold, blue, and rose, with penwork extensions with flowers and vines, at the beginning of other biblical books. Small initials in blue with red pen-flourishing. Wycliffite Bible, in the later version

• White vine initial 'M'(odus) in yellow on a blue ground., Various texts including Augistine's De musica (ff. 1-121)

Mare (see Watson 1979). White vine initial in yellow on a blue ground at the beginning of each book (ff. 4, 23, 39v, 52v, 73v, 89). Coloured initials in blue or red. Various texts including Augistine's De musica (ff. 1-121)

• Miniature with the Crucifixion, and historiated initial with God supporting the dead Christ, with a full foliate border., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Miniature of the Crucifixion, historiated initial with God supporting the dead Christ, and miniature with the Virgin and the kneeling owner in prayer, with full foliate borders., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Miniature with Cornelius and Cyprian., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Miniature with a bishop, probably Martin of Tours, with a crippled beggar., Missal, Use of Cologne

colours and gold (f. 23v). Smaller initials in red with purple, blue, or brown pen-flourishing or in blue with red pen-flourishing. Smaller and small initials in plain red or blue. Missal, Use of Cologne Unidentified owner: portrait of the owner

• Line-fillers in a litany fragment., Fragment of a leaf containing a litany

Musical notation: square notation on four-line red staves. 1 large initial in blue with red pen-flourishing. Small initials in plain red or blue. Line-fillers decorated in red of blue. Fragment of a leaf containing a litany f. 2: from the

• Bar borders and pen-flourished initials, 'C'(lement) and 'G'(oddis)., Various theological treatises and religious texts, including Oon of Foure (an English translation of Clement of Llanthony’s Gospel harmony)

quarter bar borders in red and blue with blue initials with red pen-flourishing (ff. 7, 11v, 15, 19, 30v, 37, 42v, 48v, 55, 64, 68v, 74v, 79, 83v, 86v, 87, 88v, 90). Initials in blue with red pen-flourishing. Running headers

• Illuminated initial 'S'(eynt poul)., An exposition on the Apocalypse and two Lollard tracts on verses in the Gospel of Matthew

with floral extensions (f. 64). 1 large puzzle initial in red and blue (f. 2v). Large initials in blue with red and/or purple pen-flourishing. Paraphs in red or blue. An exposition on the Apocalypse and two Lollard tracts on verses

• Decorated initial 'E'(xquirenti) with foliate extensions., De casibus virorum illustrium

pink, green, blue, and yellow, with foliate extensions (ff. 1, 1v, 17v, 32v, 48v, 65v, 80, 96, 109, 124v, 147v). Numerous intials in red with purple pen-flourishing or in blue with red pen-flourishing. Paraphs in red or blue. De casibus

• Puzzle initial 'P'(ost), and three-sided border, at the beginning of Ranulf Higden's Polychronicon; in the lower margin William Howard's owner-inscription, dated 1587, with his rampant lion in the margin on the right; in the lower margin also the ink-stamp of the Royal Society., Polychronicon

puzzle initials in red and blue with pen-flourishing in purple and red, developing three-sided borders (ff. 2, 8, 26v, 39, 57, 88). 2 diagrams (f. 42 (2x, the 2nd not completed)). Smaller initials in blue with red foliate pen-flourishing, 3

• Illuminated initial 'F' at the beginning of a texts on anatomy., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

colours on a gold ground (f. 194). Large initials in blue with red penwork decoration, many in foliate forms, and pen-flourishing. Paraphs in red or blue. Line-fillers in red and blue. Medical miscellany, including texts on anatomy (ff. 1-51v); various

• Decorated initial 'D'(ixi) with pen-flourishing, incorporating a human head, in the Psalms., Psalms, with commentary ('Rolle of Hampole's Psalter') (ends imperfectly), preceded by a calendar (ff. 1v-7) and a homily on patience and humility (ff. 8-9)

initials in red or blue with red foliate pen-flourishing, sometimes with human heads. Large puzzle initials in red and blue, mostly without pen-flourishing, sometimes with human heads. Large and small initials in plain red or blue. 1 large brown initial

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

colours on a gold ground (f. 194). Large initials in blue with red penwork decoration, many in foliate forms, and pen-flourishing. Paraphs in red or blue. Line-fillers in red and blue. Medical miscellany, including texts on anatomy (ff. 1-51v); various

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

colours on a gold ground (f. 194). Large initials in blue with red penwork decoration, many in foliate forms, and pen-flourishing. Paraphs in red or blue. Line-fillers in red and blue. Medical miscellany, including texts on anatomy (ff. 1-51v); various

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

colours on a gold ground (f. 194). Large initials in blue with red penwork decoration, many in foliate forms, and pen-flourishing. Paraphs in red or blue. Line-fillers in red and blue. Medical miscellany, including texts on anatomy (ff. 1-51v); various

• Detail of roundels of various foetal presentations., Medical miscellany, including texts on anatomy (ff. 1-51v); various treatments of wounds, broken bones, and internal ruptures (ff. 53-152); recipes (ff. 154-193v); an amplified translation of the gynecological sections from Gilbertus Anglicus's Compendium medicine, ending imperfect (ff. 194-232)

colours on a gold ground (f. 194). Large initials in blue with red penwork decoration, many in foliate forms, and pen-flourishing. Paraphs in red or blue. Line-fillers in red and blue. Medical miscellany, including texts on anatomy (ff. 1-51v); various

• Detail of an historiated initial 'A' of the author, Jean de Vignay., Moral treatises, poems, prayers and hymns, including the Moralised Game of Chess (ff. 1-51), the tale of Melibeus (ff. 52-65v), a French translation of the Moralis Philosophia of Guillaume de Conches (ff. 66-78), a poem by Jean Chapuis (but attributed to Jehan de Meun) beginning 'O glorieuse Trinite' (ff. 79-88v), a poem by Philippe de Vitry, beginning, 'Par maniere desbatement' (ff. 89-95), a poem by Jean Bruyant beginning, 'On dit souvent en reprochier' (ff. 95v-113v), Elucidaires (a French translation of the Elucidarius) (ff. 114-147v), the Penitential Psalms (ff. 148-151v), prayers (ff. 152-155v)

and blue, all but one with partial borders in the same colours (ff. 79, 89, 95v, 114, 126v, 138v, 148). Small plain initials in red or blue. Paraphs in red or blue. Cadels. Rubrics in red. Line fillers in blue

• Detail of a miniature of a king with a crown, sceptre, and orb., Moral treatises, poems, prayers and hymns, including the Moralised Game of Chess (ff. 1-51), the tale of Melibeus (ff. 52-65v), a French translation of the Moralis Philosophia of Guillaume de Conches (ff. 66-78), a poem by Jean Chapuis (but attributed to Jehan de Meun) beginning 'O glorieuse Trinite' (ff. 79-88v), a poem by Philippe de Vitry, beginning, 'Par maniere desbatement' (ff. 89-95), a poem by Jean Bruyant beginning, 'On dit souvent en reprochier' (ff. 95v-113v), Elucidaires (a French translation of the Elucidarius) (ff. 114-147v), the Penitential Psalms (ff. 148-151v), prayers (ff. 152-155v)

and blue, all but one with partial borders in the same colours (ff. 79, 89, 95v, 114, 126v, 138v, 148). Small plain initials in red or blue. Paraphs in red or blue. Cadels. Rubrics in red. Line fillers in blue

• Detail of a miniature of a queen with two attendants., Moral treatises, poems, prayers and hymns, including the Moralised Game of Chess (ff. 1-51), the tale of Melibeus (ff. 52-65v), a French translation of the Moralis Philosophia of Guillaume de Conches (ff. 66-78), a poem by Jean Chapuis (but attributed to Jehan de Meun) beginning 'O glorieuse Trinite' (ff. 79-88v), a poem by Philippe de Vitry, beginning, 'Par maniere desbatement' (ff. 89-95), a poem by Jean Bruyant beginning, 'On dit souvent en reprochier' (ff. 95v-113v), Elucidaires (a French translation of the Elucidarius) (ff. 114-147v), the Penitential Psalms (ff. 148-151v), prayers (ff. 152-155v)

and blue, all but one with partial borders in the same colours (ff. 79, 89, 95v, 114, 126v, 138v, 148). Small plain initials in red or blue. Paraphs in red or blue. Cadels. Rubrics in red. Line fillers in blue