• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of lower border., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Detail of illuminated initial., De amicitia (ff. 2-30v), De senectute (ff. 31-58v), Paradoxa (ff. 59-72)

caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31, 59), the first accompanied by a matching partial border. Small initials in plain blue. De amicitia

• Decorated initial 'V'(irginis) with penwork decoration containing a human head., Processional

a human head. Musical notation. A few large initials in blue with red penwork decoration or in red with brown penwork decoration. Large and small initials in plain red or blue. Processional Petrus Lauzelli, priest of the church of St.

• Detail of illuminated initial., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Detail of the arms of King Alfonso I of Naples., Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v); Poesie diverse (ff. 190-195v)

extensions into the margins, in colours and gold (f. 150). Smaller initials in gold on red, blue and green grounds. Smaller initials in plain blue. Spaces for initials (ff. 190-195v). Sonetti e canzoni (ff. 3-149v); Trionfi (index Triumphs) (ff. 150-189v);

• Miniature of the Pentecost, with a large historiated initial 'D'(omine), and five scenes in the margins each involving the Holy Spirit, with a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page, with illuminated initials, and full foliate border with three scenes in the left margin of a sacrifice, a demon before the Almighty and a battle scene., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page, with illuminated initials, and full foliate border with three scenes in the left margin., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Text page, with illuminated initials and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Miniature of John writing, with his symbol, the eagle, warding off a winged demon behind him, with an illuminated initial 'I'(n) and a full foliate border., Book of Hours, Use of Paris

176, 177v). Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Rubrics in blue. Book of Hours, Use of Paris Probably made for a woman: the suffrage to Christopher uses feminine

• Detail of text page, Aeneis (index Aeneid) , with a verse preface (ff. 1-201); Extract from Servius on Aeneis 6 (f. 202)

I is a paper flyleaf.Marginal commentary (ff. 87v to 97). 18 large initials in gold on red and blue grounds with red, blue, and brown penwork decoration (ff. 1, 1v, 2, 16, 16v, 32v, 47, 47v, 61v, 79, 79v, 97v,

• Decorated initial 'L'(iber) and and bar border., Various religious texts, including a biblical concordance, Opus VII custodiarum super Nova Testamentum, the Liber Dictorum, Hexahemeron, and the Confessionum Liber

with large initials in colours and gold (ff. 4, 155). Blue initials with red penwork decoration or pen-flourishing, some large, some small, some with reserved designs. Paraphs in red or blue. Various religious texts, including a biblical concordance, Opus VII

• Table with explicit., Various religious texts, including a biblical concordance, Opus VII custodiarum super Nova Testamentum, the Liber Dictorum, Hexahemeron, and the Confessionum Liber

with large initials in colours and gold (ff. 4, 155). Blue initials with red penwork decoration or pen-flourishing, some large, some small, some with reserved designs. Paraphs in red or blue. Various religious texts, including a biblical concordance, Opus VII

• Decorated initial 'P'(ost) with foliate decoration including acanthus leaves combined with a three-sided border at the beginning of the prologue., Polychronicon to c. 1400 (imperfect)

117, 143v, 163v) or large puzzle initial in red and blue with pen-flourishing in red and purple (f. 94v) at the beginning of each book. Numerous smaller initials in blue with red pen-flourishing including foliate decoration and flowers. Polychronicon to

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

outer bifolio in each quire is made of parchment. Very large initials with reserved designs in blue or red with penwork decoration in the other colour, or in red with brown penwork (ff. 1v (x2), 14v (x2), 28 (x2), 41,

• Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text., De Consolatione Philosophiae (index Consolation of Philosophy)

A very large puzzle initial in red and blue with pen-flourishing in the same colours at the beginning of each subsequent book (ff. 9v, 20v, 35, 47). Numerous smaller initials in blue with red pen-flourishing or in red with brown

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

on a blue panel at the beginning of each book (ff. 2, 17, 34v (initial enclosing a smaller initial)). White vine marginal decoration enclosing a defaced coat of arms (f. 2). Coloured initials in alternating red or blue. Amores Probably

• Puzzle initial 'V'(alerii), and fifteenth-century ownership inscription and pressmark of the Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier., Commentarius in Valerium Maximum; Facta et dicta memorabilia

Benedictine abbey of Santa Maria ad Martyres extra Muros, Trier. 1 large puzzle initial in blue and red with red pen-flourishing (f. 1). 9 smaller blue and red puzzle initials with red pen-flourishing (ff. 2, 54v, 95v, 126v, 153, 183,

• Pen-flourished initials 'C'(orduba); 'B'(ella); and 'Q'(uis)., Pharsalia

in a Northern style. 1 large initial in blue with red and purple penwork decoration (f. 1). 1 large initial in red with purple penwork decoration (f. 118v). 4 initials in blue with purple penwork decoration or pen-flourishing (ff. 12,