• Detail of an illuminated initial with knotwork motifs 'S'(equitur)., Ab urbe condita (index De gestis romanorum; Historia romana)

a black eagle poised on a sword on a gold ground in the upper half, two crossed swords on a blue ground in the lower half, and the initials 'V' and 'B' on either side (f. 1).Nathaniel Noel (fl. 1681,

• Detail of white vine initial 'A'(rma)., Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

83, 99v, 115, 130, 148v, 167v, 185, 200v, 218, 237, 256v, 277, 286, 288v, 300v, 309, 309v). Plain initials in blue. Rubrics in red. Bucolica (index Bucolics, Eclogues)(ff. 2-19v); Georgica (index Georgics)(ff. 19v-66); Aeneis (index Aeneid)(ff. 67-276v); Appendix (ff. 277-310).

• Two coloured initials 'S'(ervo) and 'T'(am) at the beginning of Hugh of Saint-Victor's 'De laude caritatis'., Meditationes vitae Christi (ff. 2-156); De laude caritatis (ff. 156v-160v)

crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with

• Decorated initial 'C'(UM) with interlace accompanied by a partial decorated border with flowers and arms of Schioppo of Verona., Epitome historiarum Pompeii Trogi

and colours with interlace combined with a partial decorated border with flowers and heraldry (f. 1). A smaller initial in blue marks the beginning of each book. Marginal notes in green, purple, and red ink, sometimes accompanied by a small

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of David in Penitence, decorated initial 'D'(omine), and full border, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, and partial border, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, and partial border, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Illuminated initial with penwork decoration, including an added sketch of a king, at the beginning of the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added., Candelabrum, followed by a list of chapters (ff. 77-80)

the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added. 1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials

• Miniature of the Annunciation, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Virigin., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of the funeral of Anne of Brittany, in the Complainte sur la mort d'Anne de Bretagne., Complainte sur la mort d'Anne de Bretagne (died in 1514)

Smaller decorated initials (2 lines), in colours and gold. Smaller and small initials (1-2 lines) in gold on red or blue grounds. Complainte sur la mort d'Anne de Bretagne (died in 1514) Anne de Bretagne died in 1514.Claude d'Argentré: inscribed

• Miniature of the funeral of Anne of Brittany, and decorated initials 'L'(e) and 'A'(ussi), in the Complainte sur la mort d'Anne de Bretagne., Complainte sur la mort d'Anne de Bretagne (died in 1514)

Smaller decorated initials (2 lines), in colours and gold. Smaller and small initials (1-2 lines) in gold on red or blue grounds. Complainte sur la mort d'Anne de Bretagne (died in 1514) Anne de Bretagne died in 1514.Claude d'Argentré: inscribed

• Miniature of Anne de Foix with her entourage on horseback, heraldic arms, and a landscape with fish, in the Discours des Ceremonies du Sacre et mariage d'Anne de Foix avec Ladislaus Roy de Hongrie., Discours des Ceremonies du Sacre et mariage d'Anne de Foix avec Ladislaus Roy de Hongrie (in 1502)

(ff. 72, 77, 77v, 78, 78v). Heraldic arms and royal insignia (ff. 69, 72, 75v). Gold initials in red or blue grounds. Discours des Ceremonies du Sacre et mariage d'Anne de Foix avec Ladislaus Roy de Hongrie (in 1502) Anne

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Miniature of Pentecost, decorated initial 'D'(omine), and full border, at the beginning of the Hours of the Holy Spirit., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Detail of a miniature of David in Penitence, at the beginning of the Penitential Psalms., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(sta) with Apollonia holding tooth, at the beginning of her suffrage., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Historiated initial 'I'(n) with Luke painting the Virgin, at the beginning of his Gospel., Hours, Use of Rome ('Hours of Jacques de Brégilles')

183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of

• Detail of illuminated initial., Candelabrum, followed by a list of chapters (ff. 77-80)

1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials (ff. 10, 23, 32v, 39, 46v, 55, 65). 3 small initials in