• null, Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217), and other texts

incorporating miniatures in roundels. Large foliate initials in colours and gold. Small initials alternately blue with red flourishing, or red with purple flourishing. Paraphs alternately blue or red. Expositio super Matthaeum (ff. 1-159v), Postillae in septem epistolas canonicas (ff. 165-217),

• Historiated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Historiated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Illuminated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Decorated initial., Sonetti and Canzoniere (ff. 10-150), Trionfi (ff. 151-187v) (ends imperfectly), preceded by a table

(ff. 10, 151). 1 large initial in gold on a blue ground with a partial border of branches with little flames (f. 108v). 5 large initials in gold on blue and green grounds with partial foliate borders, in colours and

• Miniature of Pentecost, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of the Crucifixion, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Hours of the Cross., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of Virgin and Child with angels playing music, decorated initial 'D'(oulce), and full foliate borders, at the beginning of the prayer Doulce dame., Book of Hours, Use of Paris

(ff. 13 [smaller inital in gold on a red and blue ground], 34v, 46, 51v, 55v, 60, 64, 71). Smaller and small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Paris Inscription in

• Miniature of Christ carrying the cross and donors with Anthony, decorated initial 'A'(pprehendit) and foliate borders including heraldic arms, at the beginning of the Passion of Christ according to John., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Miniature of the Adoration of the Magi, decorated initial 'D'(eus) and foliate borders, at the beginning of Sext in the Hours of the Virgin., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Miniature of the surrender of Arbela, with a full border including hybrid grotesques and a foliate initial 'S'(e), at the beginning of book 4., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

228). Space left for 1 one-column miniature (f. 50). Initials in gold on rose and blue ground with penwork decoration in white. Line-fillers in rose, blue, and gold with penwork decoration in white. Historia Alexandri (Quinte Curse Ruffe des faiz

• Miniature of the Visitation, illuminated initial and full scatter border., Book of Hours, Use of Rome

century hand (f. 2r-v). 19 full-page miniatures with large initials in gold on red or blue grounds and full foliate borders including hybrid figures, animals, birds, etc., in colours and gold (ff. 13, 18, 23, 25v, 27v, 29v, 34, 43v,

• Miniature depicting the Pentecost. Decorated initials in gold and colours, and full foliate border., Book of Hours, unidentified Use

large initials in gold on red and blue grounds at the beginning of the litany and the Obsecro te (ff. 98v, 147v). Small initials and line fillers in gold on red and blue grounds. Book of Hours, unidentified Use Unidentified

• Decorated initial 'V'(ideo) with pen-flourishing in Cicero's In catilinam., Disputationes tusculanae (ff. 1-67v), Orationes in Catilinam (ff. 67v-85v)

and vertically. Leaf signatures. 9 initials in red or blue with pen-flourishing in the other colour (ff. 1, 3v, 17v, 39v, 51, 67v, 72v, 77, 81v). Coloured initials in red or blue. Capitals marked in red. Disputationes tusculanae (ff. 1-67v),

• Ink drawings of the cities of Sycambria and Lutetia (Paris); genealogy., Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman emperors, the kings of Briain then England, and the kings of France, written in four columns

and gold with foliate decoration (top of membrane 1). 2 puzzle initials in red and blue (membranes 1 and 4). Coloured initials in red or blue. Short Universal Chronicle (A tous nobles) from the death of Christ, of popes, Roman

• Detail of a miniature of the Last Supper, and decorated initial 'D'(omine), at the beginning of the Office of the Holy Sacrament., Book of Hours, Use of Rome

Added prayer in a 16th century hand (f. 2r-v). 19 full-page miniatures with large initials in gold on red or blue grounds and full foliate borders including hybrid figures, animals, birds, etc., in colours and gold (ff. 13, 18, 23,

• Illuminated white vine initial 'O'(mne) and three-sided border incorporting the arms of Federico da Montefeltro in a wreath in the lower margin, at the beginning of Dionysius the Areopagite's De caelesti hierarchia., De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff. 1-2v) by a table of contents

colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.

• Illuminated initial 'T'(enebre) and plain initial 'Q'(uo) at the beginning of Dionysius the Areopagite's Epistolae., De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff. 1-2v) by a table of contents

colours and gold, with three-sided border incorporating arms. Small initials in gold on a ground of red, blue, and green; or in plain blue. De caelesti hierarchia (ff. 3-117), De mystica theologia (ff. 117v-120v), and Epistolae (ff. 120v-135v), preceded (ff.

• Detail from the lower margin showing a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit'., Le miroir historial (a French translation of the Speculum historiale) books 1-5

of books. Small initials in colours with penwork decoration in gold. Initials in blue with red pen-flourishing, or in gold with black pen-flourishing. Line-fillers in gold and blue. First letters of sentences highlighted in yellow. Le miroir historial (a French

• Miniature of Richard II with his court after his coronation, with a full border containing the royal arms on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and on a banner held by an angel, between two lozenges bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', at the beginning of chapter 1 of book 1., Recueil des croniques d’Engleterre

252, 258v, 259v, 265v, 267v, 276, 281v, 284, 293v, 299). Initials in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue and rose with penwork decoration in white. Recueil des croniques d’Engleterre Edward IV (b.