• Decorated initial 'E'(runt) and foliate borders., Paradisus conscientiae (ff. 2-150), etc.

blue with pen-flourishing in red (ff. 170, 173). Smaller initials with reserved designs and foliate extensions into the margins, in colours. Small initials mostly in red or green, some with reserved designs, some with penwork decoration or pen-flourishing in

• Historiated initial 'D'(omine) of the Nativity, with a full border with gems, inset miniatures of deer, Ezechiel, Jeremiah, Solomon, and other figures, at the beginning of the Hours of the Virgin; putti holding the arms of Agostino Biliotti, Gonfalonier of Justice in Florence in the lower margin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, and partial border, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Historiated initial 'D'(omine) with King David playing his harp, and partial border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Scribal colophon reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) of the Nativity, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) of the Nativity, and full border with gems, inset miniatures of deer, Ezechiel, Solomon, and other figures, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of putti holding the arms of Agostino Biliotti, Gonfalonier of Justice in Florence, in the lower margin at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) with King David playing his harp, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of a scribal colophon, reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or