• Historiated initial of God, and a marginal image of a man on horseback., Prayer book

74v [initial in gold on a red and blue ground], 77, 79, 81, 82v, 84, 86v, 96v, 99, 101, 103, 104v, 106v, 109). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green wash. Red

• Partial border with decorated initial 'A'(uris) and the arms of Gui II Arbaleste painted over those of Jean Budé., Commentary on the canon of medicine by Avicenna

some with coats of arms (ff. 65v, 143v, 114). Small puzzle initials in red and blue at the beginning of chapters. Paraphs in red and blue. Rubrics and running headers in red. Capitals marked in yellow. Cadels. Commentary on the

• Miniature of the Annunciation; historiated initial 'H'(ere) with Virgin and Child shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18., Prayer book

74v [initial in gold on a red and blue ground], 77, 79, 81, 82v, 84, 86v, 96v, 99, 101, 103, 104v, 106v, 109). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green wash. Red

• Miniature of the Annunciation, historiated initial 'H'(ere) with Virgin and Child shown as the woman of the Apocalypse and foliate borders including John on Patmos and Augustus with the Tiburtine Sibyl, at the beginning of the Hours of the Virgin; Spierinck's signature and date in the lower margin of f. 18., Prayer book

74v [initial in gold on a red and blue ground], 77, 79, 81, 82v, 84, 86v, 96v, 99, 101, 103, 104v, 106v, 109). Small initials in red with purple pen-flourishing or in blue with red pen-flourishing, with green wash. Red

• Historiated initial 'D'(omine) of the Nativity, with a full border with gems, inset miniatures of deer, Ezechiel, Jeremiah, Solomon, and other figures, at the beginning of the Hours of the Virgin; putti holding the arms of Agostino Biliotti, Gonfalonier of Justice in Florence in the lower margin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, and partial border, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Historiated initial 'D'(omine) with King David playing his harp, and partial border, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Scribal colophon reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) of the Nativity, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) of the Nativity, and full border with gems, inset miniatures of deer, Ezechiel, Solomon, and other figures, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of putti holding the arms of Agostino Biliotti, Gonfalonier of Justice in Florence, in the lower margin at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(ilexi) of Christ raising Lazarus from the dead, at the beginning of the Office of the Dead., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of an historiated initial 'D'(omine) with King David playing his harp, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Detail of a scribal colophon, reading: 'Scripto per Agostino Biliotti da Antonio Sinibaldi gratis et amore Anno Domini MCCCCLXXXV'., Book of Hours, Use of Rome ('The Hours of Agostino Biliotti')

in colours and gold (ff. 39v, 45, 50v, 55v, 61, 70, 75v, 81, 202v). Small initials in plain gold or blue. Book of Hours, Use of Rome ('The Hours of Agostino Biliotti') Written by Antonio Sinibaldi for Agostino Biliotti (d.

• Historiated initial 'In' with intwined figures., fragments from the end of Joshua and the beginning of Judges; and the end of Judges to the beginning of Ruth

on four-line red staves. 2 large historiated initials in black ink (ff. 76v, 77v). Large letters and initials in red, blue, yellow or green. Another smaller fragment of this manuscript is Sloane 1086, f. 100 (Deut. 34:1-5 and part of

• Puzzle initials 'E'(x ordine), 'D'(e excellentia) and 'I'(ncipit) with penwork decoration forming a border with human faces, animals and a blessing bishop, at the beginning of the prologues to De Concordia Evangelistarum of Zacharias of Besançon., De Concordia Evangelistarum (or Explanatio in Unum ex Quatuor)

red and blue with red and blue pen-flourishing, at the beginning of books (ff. 18v, 57v, 101v, 166v), and small puzzle initials, at the beginning of chapters. Initials in blue with red pen-flourishing or in red with blue pen-flourishing, some

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or

• null, Bibliotheca historiarum, in the translation of Poggio Bracciolini

blue infill, some including elaborate human figures or floral motifs, at the beginning of the books (ff. 3v, 16, 32, 48, 92). 1 large initial in blue with light red pen-flourishing (f. 1). Paraph marks in plain red or