• Text page., Medical miscellany, including an English translation of Gilbertus Anglicus's Compendium medicinae (ff. 63v-151v), imperfect; 'Super lunam' (ff. 179v-181); a zodiacal lunary (ff. 173-179); a gynecological tract (ff. 158-172v); Bernard Goron's De prognosticis (ff. 61-63)

after f. 194.f. 3 is a parchment leaf with text in Latin in a 15th-century hand. Large initial in blue with red penwork decoration (f. 13). Large initials in red, some with penwork decoration. Paraphs in red. Descenders extended, and

• Miniature of Christ as Man of Sorrows., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Historiated initial 'D'(omine) with the dove of the Holy Spirit., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of the dead Christ and Mary., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of Christ carrying the cross., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of Anne and the Virgin., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Miniature of the Seven Sorrows of the Virgin., Devotional miscellany

(ff. 266v, 289v, 293, 297, 300v); 1 excised (f. 268). Large and small illusionistic initials in gold on red or blue grounds. Devotional miscellany Henry Reppes (d. 1558), of Mendham, Suffolk: inscribed by him 'Henry Reppes / Elizabeth Reppes' (his

• Detail of an historiated initial 'D'(e virtute) of an abduction of a woman, at the beginning of the ~De virtute mulierum~ of Plutarch., Moralia, book 3, 19: De virtute mulierum

historiated initials in colours, at the beginning of the text ad the preface (ff. 2, 7). Initials in black on blue grounds, or in gold on red grounds. Moralia, book 3, 19: De virtute mulierum Mary I (b. 1516, d.

• Detail of a miniature of the Carolle (round dance with music) in the garden of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left., Roman de la Rose (index Romance of the Rose)

of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick

• Miniature of the Carolle (round dance with music) in the garden of Sir Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left., Roman de la Rose (index Romance of the Rose)

Mirth, watched by the narrator of the Roman de la rose, dressed in blue, at the left. The text of this manuscript was copied from a printed edition published at Lyon, probably around 1487 (see Kren and McKendrick 2003 no.

• Historiated initial 'C' of a saint (upper left)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Historiated initial 'C' of a saint (upper right)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Historiated initial 'D' of a saint (left centre)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Historiated initial 'D' of a saint (right centre)., Cuttings from a liturgical manuscript

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Miniature of three living, a pope, an emperor, and a king, and three dead wearing a mitre, a large crown, and a small crown, decorated initial 'D'(ilexi) and full foliate borders, at the beginning of the Office of the Dead., Book of Hours, Use of Rome

in colours and gold. Smaller decorated initials, in colours and gold. Small initials and line-fillers in gold on red or blue grounds. Capital letters highlighted in yellow. Book of Hours, Use of Rome The Harley Collection, formed by Robert Harley

• Miniature of André Serre, of Dijon praying to his patron, Andrew; decorated initial 'C'(um) and foliate borders including his coat of arms, at the beginning of the suffrage to Andrew., Book of Hours, Use of Rome

including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of

• Miniature of the Annunciation, decorated initial 'D'(omine) and historiated frame with the scenes from the Life of the Virgin and her marriage in the lower margin, at the beginning of the Hours of the Virgin., Book of Hours, Use of Rome

including hybrid figures, animals, birds, etc., in colours and gold. Small initials and line fillers in gold on red or blue grounds. Book of Hours, Use of Rome André Serre, of Dijon, c. 1500: his portrait at the beginning of

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, John, the Feeding of the Five Thousand, the Last Supper, Matthew, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• An engraved historiated full-page border of medallions containing the four Evangelists and scenes from the life of the Virgin and the life and Passion of Christ: (anti-clockwise from top left) of the Annunciation, Luke, the Nativity, the Flight into Egypt, Christ's Dispute with the Doctors, the Baptism of Christ, Matthew, the Feeding of the Five Thousand, the Last Supper, John, the Agony in the Garden, Christ before Caiaphas, Christ before Pontius Pilate, the Crucifixion, Mark, and the Resurrection., Cuttings from a printed Missal, containing text from the Masses for the feasts of Pentecost and Augustus

Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To see the Samuel Rogers Album (Post-1600. Gold tooled dark blue ?morocco with on the spine: 'Italian / Miniatures / And Illuminated / Borders. / Samuel / Rogers Collection /

• Miniature of the Annunciation, at the beginning of the Hours of the Virgin at Matins., Book of Hours, Use of Rome

of Lauds of the Hours of the Virgin (f. 19). Large and small initials and line-fillers in gold on red, blue or brown grounds. The illumination is divided between two artists: the first recalls the anti-realistic aesthetic of Robinet Testard