• Text page with decorated initials., Commentary on the Psalms (51-100)

97. 5 large initials in blue and red, each on a gold ground with frame in blue or green and foliate decoration (ff. 1, 6, 100, 159, 213) . Puzzle initials in red and blue with penwork decoration in either

• Framed initial 'Q' with foliate decoration., Commentary on the Psalms (51-100)

97. 5 large initials in blue and red, each on a gold ground with frame in blue or green and foliate decoration (ff. 1, 6, 100, 159, 213) . Puzzle initials in red and blue with penwork decoration in either

• Initial 'C' with foliate decoration and display script. Decorated initials., Commentary on the Psalms (51-100)

97. 5 large initials in blue and red, each on a gold ground with frame in blue or green and foliate decoration (ff. 1, 6, 100, 159, 213) . Puzzle initials in red and blue with penwork decoration in either

• Initial 'I'(n) decorated with zoomorphic form and extending into partial bar border., Pharetra, in four books

in red and blue with penwork decoration and partial borders in red and blue at the beginnings of books 2-4 (ff. 35, 69, 95). Red and blue initials with contrasting pen-flourishing in blue and red. Red and blue line-fillers. Paraphs

• Initial 'G'(regorius) with foliate and zoomorphic decoration., Pharetra, in four books

in red and blue with penwork decoration and partial borders in red and blue at the beginnings of books 2-4 (ff. 35, 69, 95). Red and blue initials with contrasting pen-flourishing in blue and red. Red and blue line-fillers. Paraphs

• Puzzle initial 'G'(regorius) with pen-flourishing and partial border., Pharetra, in four books

in red and blue with penwork decoration and partial borders in red and blue at the beginnings of books 2-4 (ff. 35, 69, 95). Red and blue initials with contrasting pen-flourishing in blue and red. Red and blue line-fillers. Paraphs

• null, Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• null, Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Text page., Historia scholastica (The 'Ashridge Petrus Comestor')

190). Initials in blue with red pen-flourishing and 'I'-band borders in red and blue. Running titles and chapter numbers with pen-flourishing in red and blue, line-fillers in red and blue. Omitted text written in the margins in blue and yellow

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Decorated initial and musical notation., Motets, in an Office for the Feast of the Circumsion; Hymns, Miracle play on the history of Daniel (ff. 95-108)

large puzzle initial in red and blue with red and blue pen-flourishing (f. 95). Large initials in blue with red penwork decoration, and in red with blue penwork decoration. Small initials in red or blue. Motets, in an Office for

• Miniature of a seated figure holding an open book and a standing figure offering it to him. Salutati has labelled the seated figure as Solinus, and the standing figure as Adventus., Collectanea rerum memorabilium (index De mirabilibus mundi), with preface, table of chapters, and prologue, 'De septem miraculis orbis' (ff. 50v-51)

red, blue, yellow and green on a blue ground (f. 2). Large geometric drawing in brown, red, yellow and blue (f. 51). 3 large historiated initials in red, with a figure in brown ink, two with red highlights, on blue

• Historiated initials 'S'(ardinia) of a man holding a staff and a book, and 'S' of a king holding a sceptre., Collectanea rerum memorabilium (index De mirabilibus mundi), with preface, table of chapters, and prologue, 'De septem miraculis orbis' (ff. 50v-51)

red, blue, yellow and green on a blue ground (f. 2). Large geometric drawing in brown, red, yellow and blue (f. 51). 3 large historiated initials in red, with a figure in brown ink, two with red highlights, on blue

• Historiated initial 'P'(aulus) at the beginning of the Epistle to the Romans with Paul (shown as a bishop) holding a cross speaking to Jews, with underscoring the the biblical text in red in the adjacent commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) at the beginning of the second epistle to the Corinthians is at the large letter 'P'. The letter bears a picture of St Paul asleep with an angel looking over him. Only a brief bit of the letter to the Corinthians is written--in larger handwriting--on the page. The smaller writing surrounding it is the commentary. In the part to the right of the larger writing of the scripture, quotations from 2 Corinthians are underscored in red, with the commentary--taken from the early Christian author Ambrose, cited in the upper margin--on those words following. At the edges of the margins, a schoolmaster has written further glosses in a less formal hand., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus) of Paul with another man, at the beginning of Colossians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from Colossians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites Ambrose, the author whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials

• Historiated initial 'P'(aulus), with a monk and bishop, at the beginning of the First Letter to the Thessalonians. In the page layout typical of glossed manuscripts of the Bible, short excerpts from the Epistle to the Thessalonians are written in large letters. The commentary is written to the side, top and bottom of it, in smaller letters. At the top of the page, the inscription in red cites the author, Jerome, whose writings are excerpted in the commentary., Commentary on the Epistles, glossed

in red and blue with red and blue penwork decoration at the beginning of some prologues. Small initials in blue with red penwork decoration or in red with blue penwork decoration. Small initials in red or blue. Highlighting of initials