• Text page., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of coloured initial., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Detail of text., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Easter table, in an architectural frame., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Text page with initials and rubrics., De unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi

unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 23 in Patrick Young's 1622 catalogue of the cathedral library, Salisbury (see Ker 1964).The Old Royal

• Drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of Genesis.

p. 51); extensively corrected in the 11th-12th centuries by scribes writing a Christ Church script, probably in the same hand as in Arundel 155 of Christ Church origin and provenance (see Dumville 1991, p. 47).Added Obadiah 19-21, Jonah, Micah, Nahum,

• Detail of a drawing of God over the circle of the world with two long trumpets issuing from his mouth (the breath of God), holding a scale, and the Holy Spirit over the waters, enclosed within a hemisphere, at the beginning of Genesis.

p. 51); extensively corrected in the 11th-12th centuries by scribes writing a Christ Church script, probably in the same hand as in Arundel 155 of Christ Church origin and provenance (see Dumville 1991, p. 47).Added Obadiah 19-21, Jonah, Micah, Nahum,

• An Easter table, with tinted drawing depicting Pachomius receiving the tables from an angel, with the words on the scroll handed to the saint by the angel the same as those written immediately below. This pair of arches is one of a series containing texts related to the calculation of the date of Easter, which were supposed to have been given to Pachomius (died c. 346) by an angel., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Ink drawing of canon tables, with a monk above pointing to an open book with his left hand; the gesture of his right hand, shared by the other two monks, may indicate that they are debating with one another. However, it has also been suggested that this monk is Benedict, perhaps expounding his monastic rule., Psalter and prayers ('The Eadui Psalter', 'The Arundel Psalter')

the calendar in successive centuries; erased Christ Church ownership inscription(?) (f. ii verso).Emendations by other 11th- and 12th-century scribes; the text on ff. 145-146 is a 14th-century addition.William Ingram, monk of Christ Church: with the late 15th-century inscription 'Si quis

• Text page with intials 'A' and 'P' and rubric in red., Epistolae, De obitu Theodosii, De Nabuthae

3080 (see Ker 1976). Initials, numbers and rubrics in red (some oxidised). Epistolae, De obitu Theodosii, De Nabuthae The cathedral church of St Mary, Salisbury: (see Ker 1987).The Old Royal Library (the English Royal Library): in the catalogue of the

• Coloured initial 'P'(rimus) at the beginning of notes on the compotus, and below, an added list of the archbishops of Canterbury., Treatise on the compotus, 'Ratio Gai cesaris de ordine anni', instructions for the discovery of the age of the moon, a table of moveable feasts, and other texts

Church, Canterbury: his note (f. 1v).The Benedictine abbey of Christ Church, Canterbury: formerly bound with Cotton Caligula A XV, ff. 120-153, the volume entitled 'Compotus Adelardi' in Prior Eastry's early 14th-century catalogue of books in the library of Christ

• Decorated initials in a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9., Ordinal, Use of Sarum

a list of church personnel (deacons, archdeacons, etc.) and their duties. Osmund bishop of Sarum (d. 1099) is named in line 9. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Prayers, and in the lower portion of the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele., Ordinal, Use of Sarum

the page, the ownership inscription of the church of Risby, Suffolk: 'Iste liber constat ecclesie de Rysbey in comitatu de Suffolke. Ordinele. Musical notation (ff. 18v, 38, 38v, 126, 153v-155). Catchwords.Text in Gothic cursive (ff. 53-54v, 70v).ff. 162v, 163 contain

• Inscription recording that the book was given in 1503 by Edmund Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d tercio et a[nn]o r[egni] r[egi]s Henrici VIImi xixº.', Commentary on Catholic Epistles and Commentary on Tobit

Carter to the 'royal collegiate' probably to be identified with the collegiate church of St. Mary, Southwell, reading 'Ex dono mag[ist]ri Edmu[n]di Carter quonda[m] vicarii. / Et nu[n]c cano[ni]ci huius colegii regii xxviimo die oct[obris] / A[nn]o X[rist]i m d

• Ownership inscription: 'Liber sancti Andree Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford., Historia Ecclesiastica; Epistola de obitu venerabilis Bedae (ff. 173v-175v); tract on the resting places of English saints, imperfect

Roffensis ecclesie' (book of the church of St. Andrew, Rochester). The inscription above ('5 die Novembris A.D. 1723') was written by Humfrey Wanley, librarian of Robert and Edward Harley, 1st and 2nd earls of Oxford. f. 1* is a parchment

• Puzzle-initial 'T'(ranscriptum) with pen-flourishing at the beginning of Robert Grosseteste's translation of Tertullian, 'Testamentum XII patriarcharum'., Testamentum XII patriarcharum (ff. 1-15); Beniamin minor, in verse (ff. 15-20); Elucidarius (ff. 20v-34v)

(b. 1635, d. 1699), bishop of Worcester and theologian (see Wright 1972). Edward Stillingfleet (b. 1661, d. 1708), physician and Church of England clergyman, son of the former; in 1707 acquired by Robert Harley (see Wright 1972).The Harley Collection, formed

• Zoomorphic initial 'M'(agnitudo) in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a grotesque(s)., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Zoomorphic initial 'I' in dark brown ink, red and green and some blue, with knot-work and foliate motifs, in the shape of a bird., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient

• Zoomorphic initial 'P'(auci) with grotesque and knot-work motifs, at the beginning of Jerome's 'Contra Iouinianum'., De mysteriis (ff. 1-4v); De sacramentis (ff. 4v-16v); Sermo de corpore et sanguine Domini (serm. 17, ff. 16v-18v); Contra Iouinianum (ff. 18v-69v); Hypomnesticon (ff. 69v-90)

abbey of St Albans; probably copied from a lost manuscript from the Benedictine Cathedral Priory of Holy Trinity or Christ Church, Canterbury which is recorded in the library catalogue that was compiled between 1284-1331, see Montague Rhodes James, ~The Ancient