• Miniature of a standing John Chrysostom., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Miniature of a standing Basil., Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified)

Initials in blue. Text in red. Leitourgikon (containing the texts needed by the celebrant at the Eucharist in the Orothodox church: Liturgies of John Chrysostom, Basil the Great, and the Presanctified) Written in 1644 by Michael, oikonomos, or treasurer of

• Illuminated initial 'F'(ama) with an animal head, and a snake with a human ? head., Liber de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary

de quo Christus natus est de Virgine (ff. 1v-7v); Tract de conceptione Beatae Mariae Virginis (ff. 7v-9), fragmentary The cathedral church of St Mary, Salisbury: listed in its catalogue (see Ker 1964).Added text (ff. 9v-10v).Sir Hans Sloane (b. 1660, d.

• Text page with rubric, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

alle . pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page., Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• Text page, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

. pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and

• null, Constituciones artis gemetrie secundum Euclyde: a poem on the craft of Masonry

pur charyte'. The latter half of the poem is devoted to conduct when at church and in company. There is no indication of authorship. On the fly-leaf (f. 33), in two 15th-century cursive hands, are a charm against bleeding and