or 16th century: inscribed with his name (ff. 108v, 120v, 129v).George Hickes (b. 1642, d. 1715), bishop of the nonjuring Church of England and antiquary: faint pencil inscription (f. 1). The Harley Collection, formed by Robert Harley (b. 1661, d.
137). Decorated and plain initials, titles, rubrics and line-fillers in red Liturgical miscellany, including Office for the dedication of a church (ff. 121-140v), and lists of bishoprics and archbishoprics (ff. 223-241), and of Jewish and Ellenistic kings, Roman Emperors and
in red with dark blue pen-flourishing (almost black), and line-fillers in red and blue. John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: these three manuscripts were sold as a separate volumes to Edward Harley with the
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his
of Hours, Use of Sarum, and Psalter Includes a devotion to Clement (f. 32v), perhaps indicating a connection with a church or trade guild association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his
(ff. 126-135v), Jerome, 'De essentia Dei', entitled here 'Tractatus de membris domini' (ff. 135v-140), Alexander of Canterbury, monk of Christ Church, 'Liber ex dictis beati Anselmi', entitled here 'Libellus beati Anselmi…de quatuordecim partibus beatitudinum' (ff. 140-147), Hugh of St Victor,
the Passion, with full foliate borders including a miniature of Gregory kneeling before an altar in a church, at the beginning of the Mass of St Gregory in the Passion according to John. A bond by Jean, Bastard d'Orléans, Comte
floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting
floral motifs, bezants and Mount Calvary (f. 3). Cuttings from a choir book An Augustinian monastery in Cremona, possibly the church and convent of Santa Monica: the motto of the Cremonese Meli family "Usque Quo" appears in the related cutting
in red, and display script in colours. Rubrics in red. Psalter, with litany and additional prayers and canticles ?The cathedral church of Augsburg [see Wright 1972].Added 12th-century prayers (with later initials?) to St. Francis and St. Anthony Confessoris (f. 1v).Added