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blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
border including the coats of arms of Janos Vitez and Petrus Garazda, medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a
blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio
blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio
blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio
blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio
blue. Rubrics in red. Capitals marked in yellow. Historia (1-222v) and Five Books of Commentaries on the Acts of the Church (ff. 223-296) Written in 1457 by Julianus de Viterbo for Guidone Gonzaga (d. 1483): colophon, 'Scripsit Julianus de viterbio
border including the coats of arms of Janos Vitez and Petrus Garazda, medallions with saints (probably the Fathers of the Church: three of them are bishops and the fourth one is probably Peter), a wolf and hen, winged putti, a
and dated Rome, 10 August 1479 (f. 259).Made for Bartholomaios Chryspianos (f. 259).Conyers Middleton of Cambridge (b. 1683, d. 1750), Church of England clergyman and author: bought from him by Edward Harley on 20 February 1725 (see Wright and Wright
his inscription (f. 665).Stolnic Constantine Cantacuzenos (d. 1716): made for him, his ownership note(f. 13).Edmund Chishull (b. 1671, d. 1733), Church of England clergyman and antiquary: probably received by him in Bucharest in 1702; Latin translation of Psalm 1 preceded
blue pen-flourishing or in blue with red pen-flourishing. Capital letters highlighted in red. Book of Hours, Use of the Collegiate Church of Sint Hermeskerk, Ronse The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and
IV, later extended to Henry VII, in humanistic cursive script (f. 224v).Francis Blomefield (b. 1705, d. 1752), topographical historian and Church of England clergyman: presumably acquired before 1727, while he was a student at Gonville and Caius College, Cambridge: inscribed
the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and
of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel
of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3. Single leaf which doesn't belong to this manuscript taken out in 1947 and kept separately as Arundel
sent by the head of the church being brought before the Grand Duke Dmitri. The Skazanie is a romance, composed in the 15th century, relating the struggle of the Muscovian Grand Prince, Dmitri Donskoj, against his Tartar opponent, Mamai. The
a king leading a couple to church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and added
a man and a woman outside a church. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated and