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Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Talbot Master and his workshop, an artist active in Rouen, named after this manuscript; and Cambridge, Fitzwilliam Museum, 40.1950, the 'John Talbot Book of Hours'; and by three other illuminators, the Master of the Lord Hoo's Book of Hours (bifolium
Ormond', Elizabeth, countess of Shrewsbury, sister of 5th, 6th, and 7th earls of Ormond (d. 1473), 'Obitus Elizabeth comitisse Salop.', John, 6th earl of Ormond (d. c. 1477), 'Obitus Johannis comitis Ormond', Lore, 2nd wife of Thomas, 7th earl of
Ormond', Elizabeth, countess of Shrewsbury, sister of 5th, 6th, and 7th earls of Ormond (d. 1473), 'Obitus Elizabeth comitisse Salop.', John, 6th earl of Ormond (d. c. 1477), 'Obitus Johannis comitis Ormond', Lore, 2nd wife of Thomas, 7th earl of
Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);
Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester') The calendar of Sarum use includes John of Beverley (7th May, added to the Sarum calendar in 1416, f. 3); Frideswide annotated 'non sarum' (f. 5v);
standing knight in armour. A later inscription on the facing folio identifies the monk as John Lydgate, and the knight as the Earl of Salisbury, to whom Lydgate's 'The Pilgrimage of the Life of Man' was dedicated. The figure of
106-123), Priscianus' Solutiones ad Chosroem [regem Persarum] (ff. 139v-160v), Nemesius' De natura hominis (ff. 168-196), Albericus' Flores Rhetorici (ff. 196-206), John of Salisbury's De septem septenis (ff. 206v-215v), Joachim of Fiore's Praephatio super Apocalypsim (ff. 216-224), imperfect; De praesagiis tempestatum