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of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Thomas Hoccleve Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
White vine initials 'R'(em) and 'L'(eonardus) at the beginning of the prefatory texts, with the arms of Ludovicus Petronius, of Siena, in the lower border. Catchwords in the bottom left corner. Pricking holes.The same scribe wrote Harley 4883 in
Coloured initial and musical notations on 4-line staves. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It
Text page with added notes. The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of St. Frideswide's, Oxford, now lost. It can also be
Detail of a text page of St Albans's Annals, datable to 1428-1431 (ff. 100-120). The life of Thomas Becket in verse was composed c. 1184. It is based on one by Robert of Cricklade (d. c. 1174), prior of
king in armour and tabard (King John), presenting a plaque with verses. Unfinished. This manuscript, together with two other manuscripts (London, British Library, Add. 45133 and London, Guildhall Library, Print Room (s.n.)) is known as 'Sir Thomas Holme's Book' because
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Detail Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Edmund-Fremund scribe Edmund-Fremund scribe John Lydgate, Thomas Hoccleve Bury St Edmunds England, S. (probably Bury St Edmunds)
White vine initial 'I(nter) at the beginning of Aristotle's Politica. Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th
Detail of a white-vine initial 'Q'(uot igitur). Catchwords written horizontally. The whole manuscript is in the same hand, with the exception of f. 75 which appears to be a singleton (possibly added in the late 15th century to replace
Ink drawing of a hunting scene with a boar, a stag, hunters, dogs and a hare (continued on the opposite page). Watermark visible on f. [ii] (similar to C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier
Joseph, Nicodemus, the Virgin and two Maries, John the Evangelist, and another man standing near the tomb, with a full foliate border, at the beginning of Compline of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et
the Virgin Mary and others, Mary Magdalene, and John the Evangelist, with a full foliate border, at the beginning of Vespers of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to Bertrand de Beauvais,
the two thieves, with the Virgin and John the Evangelist at his feet, with a full foliate border including two weeping angels and two dead people rising from their graves, at the beginning of None of the Passion. A bond
and others consigned to hell, at the beginning of the Deus propicius; to the left, John the Evangelist holds a cup and palm, standing behind a kneeling Dunois; at the bottom is an angel, holding a skull, kneeling in a
Christ between the two thieves, with the Virgin and John the Evangelist at his feet, at the beginning of None of the Passion. A bond by Jean, Bastard d'Orléans, Comte de Dunois et de Longueville, to Bertrand de Beauvais, for
cartouches, scrolls, trompe l’oeil pearls, cherubs, arabesques, and figures in monochrome of John, the Resurrection, Mark and two medallions inscribed 'De / dit / illi no / men' and 'Quod / est su / per omne / nome[n]' (f. 83a;