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Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
Lee' (ff. 17, 20, 25) and 'George Lee Michall' in pencil: 18th century (f. 24v). Inscribed in the same hand 'John Lee' in pencil: 18th century (ff. 24v, 26v).Various inscriptions (ff. 77, 145).The Harley Collection, formed by Robert Harley (b.
de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in
de Pordenone, Merveilles de la terre d'outremer, written in 1330 and translated by Jean de Vignay in 1331 (ff. 136v-148); John of Plano Carpini, Travels to the East in the abridgement of Vincent de Beauvais, Speculum Historiale 32, 2-66, in
(?) (f. 88v); 'I tell you plyn of John Hanum [. . . ] (f. 102v); 'William Wylkensone' (f. 111v); 'Thomas Cowpland, John Bolton, Robert Spynk, Garry Jacson, James Loueden, Thomas Tomson, John Best, Richard Hilborn (f. 172); Harry bramam'
Text page of John Skelton's 'On the Death of the Earl of Northumberland', with calligraphic letters and decorated ascenders. Part 1 includes two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne,
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne, originally presented by Lydgate to Henry V in 1420, and the Siege of Thebes of 1421-1422.Part 3 includes: John Lydgate, Testament (ff.