• Bas-de-page scene of a devil holding stones towards a seated Christ., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Bas-de-page scene of a devil gesturing to Christ who is seated on top of a building., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Detail of a bas-de-page scene of two ladies being followed by a maid, holding their trains., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Detail of a bas-de-page scene of a lady shooting an arrow at a rabbit., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Detail of a bas-de-page scene of a lady beating bushes for rabbits., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Detail of a miniature of Christ carrying the cross on the road to Calvary., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• Detail of a bas-de-page scene of Christ being bound and struck., Book of Hours, Use of Sarum ('The Taymouth Hours')

Hainault, or for Isabelle of France (see discussion Stanton 2003).Perhaps made in London: the calendar includes saints Ethelburga (abbess of Barking, near London) and Botulph (venerated at three London parishes).Unidentified member of the Neville family: with their arms, ~gules~ a

• A historiated and foliate initial 'A' of Christ blessing three kneeling saints., Cutting from a choir book

A historiated and foliate initial 'A' of Christ blessing three kneeling saints. The present cutting was formerly foliated by the number of the guard on which it is mounted, as f. 2. It may be found referred to in

• A historiated initial 'F' with foliate extension and medallion of pseudo-Oriental writing of Michael slaying the dragon., Cutting from a choir book

A historiated initial 'F' with foliate extension and medallion of pseudo-Oriental writing of Michael slaying the dragon. Italian cutting.The present cutting was formerly foliated by the number of the guard on which it is mounted, as f. 2. It

• Drawing of Octa imprisoned in the tower of London., Roman de Brut, a verse epitome (begins imperfectly) with continuation to Edward III; Destruction de Rome; Fierabras

in the tower of London. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of Stonehenge: see discussion Arthur

• Puzzle initial 'E'(go), at the beginning of Nicolai's Antidotarium, and explicit of Rhasis' opera, dated 1327., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'Q'(uoniam), at the beginning of Eberhardus Bethuniensis's Graecismus., Glossed Graecismus

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Puzzle initials 'I'(n) and 'C'(reator), at the beginning of Rhasis's Liber Almansoris., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'C'(irca) with pen-flourishing, at the beginning of Maurice of Ireland's Distinctiones., Distinctiones

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 5; its book-plate with the pencil inscription: ‘XIV.6.21’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'Q'(uoniam), at the beginning of Eberhardus Bethuniensis's Graecismus., Glossed Graecismus

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Puzzle initial 'E'(go), at the beginning of Nicolai's Antidotarium., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initials 'I'(n) and 'C'(reator), at the beginning of Rhasis's Liber Almansoris., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial., Liber Almansoris (ff. 3-74) and other medical texts

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3; its book-plate with the pencil inscription: ‘XIV.7.18’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with