• Miniature of Adam and Eve in Paradise, at the beginning of Paulus Orosius's Histoire Ancienne., Histoire Ancienne jusqu'a César, Le Fet des Romains

in gold and blue. Histoire Ancienne jusqu'a César, Le Fet des Romains Bought by the British Museum from Thomas Thorpe, London bookseller, 13th July 184 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Detail of puzzle initial., Glossed Digestum Novum, preceeded by an added table of contents (ff. 1-2v)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the

• Detail of decorated initial., Glossed Digestum Novum, preceeded by an added table of contents (ff. 1-2v)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the

• Flourished display script 'Ulpianus' and initial 'R'(es), in Justinian's Digestum Novum., Glossed Digestum Novum, preceeded by an added table of contents (ff. 1-2v)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', vol. I: f. 1; vol. II:

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', vol. I: f. 1; vol. II:

• Battle scene and illuminated initial 'L'(e), at the beginning of 'Cest la bataille faite a la blanche tache', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', vol. I: f. 1; vol. II:

• Battle scene, at the beginning of 'Comment le captal de beuth fut pris a la bataille de subize...', in Jean Froissart's Chroniques d'Angleterre., Les Chroniques d'Angleterre (3 vols)

and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', vol. I: f. 1; vol. II:

• Historiated initial 'O' in colours and gold, of the Coronation of the Virgin with architectural elements, monochrome choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage., Cutting from a Missal

His sale, Sotheby's 11 May 1838, lot 190; purchased by Sotheby for £4 1s. Samuel Sotheby (b. 1771, d. 1842), London auctioneer and book collector: ?his inscription with details of alleged origin, attribution, date and value added to text taken

• Detail of a table of signs and images used in the text to mark some of the subjects treated in the text, with explanations of their meanings., Series causae inter Henricum regem et Thomam archiepiscopum, Abbreviationes chronicorum, and Imagines historiarum

explanations of their meanings. Includes 3 works of Ralph de Diceto (d. 1199/1200), chronicler and ecclesiastic, dean of St Paul's, London (1180-1199/1200):Series causae inter Henricum regem et Thomam archiepiscopum, written in a different hand that the rest of the volume

• Historiated initial 'C'(antate) with singing clerics, and foliate borders recalling the 14th-century pattern, at the beginning of Psalm 97., Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• null, Psalter, Use of Sarum (the 'St Omer Psalter')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May s1897, bought by Yates Thompson together with the entire

• Gothic text on the verso of initial from Ps. 109: 2-4, reading: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do / minare i(n) medio inimi / corum tuorum. / Tecum pri(n)cipium i[n] die / virtutis tue in splen / dorib(u)s s(ancto)rum ex utero / an(te) luciferu(m) genui te. / Iuravit d(omi)n(u)s et non / penitebit eum tu es sa'. Affixed nineteenth-century inscription reading: 'Magnificent sheet from a Missal bought at Palermo in 1803. Painted by Peter Peruginei the book contained two large paintings and eight smaller ones which with much regret cut from the binding in consequence of the fear of losing the book - it having been taken from the convent of St. Jerome. It is to be regretted that we possess but very incomplete accounts of the artists of the 13th and fourteenth centuries to whom we are indebted for the labours and often splendid performances which decorate the choral books and other illuminated manuscripts written in Italy during these periods. Sometimes it is true these illuminations were the work of monks who could do little more than evince their devotion to the saints by their prodigial use of gold and rich colours, still it is certain that the cloisters often produced Artists of great ability, and besides Italy as at all times produced professional illumanists and miniature painters of an Superior Order, this book could it have remained perfect by the Chevalier de Bronti - at 1000 Florins - and he remarked that whatever now remains to us of those performances merit our highest veneration as the monuments of a LOST ART - W.Y.O'., Cutting from a Missal

His sale, Sotheby's 11 May 1838, lot 190; purchased by Sotheby for £4 1s. Samuel Sotheby (b. 1771, d. 1842), London auctioneer and book collector: ?his inscription with details of alleged origin, attribution, date and value added to text taken