• Illuminated initial ‘O’(vid) on the text page facing the historiated initial., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial England, S. E. England, S. E. (probably London or East Anglia)

• Historiated initial 'D'(ixi) of David pointing to his mouth with a full foliate border, at the beginning of Psalm 38., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David England, S. E. England, S. E. (probably London or East Anglia)

• Historiated initial 'D'(ixit) of the Trinity, with a full border, at the beginning of Psalm 109., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Trinity England, S. E. England, S. E. (probably London or East Anglia)

• Detail of a historiated initial 'D'(ixit) of the Trinity, at the beginning of Psalm 109., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Trinity England, S. E. England, S. E. (probably London or East Anglia)

• Detail of a historiated initial 'B'(eatus) of David playing the harp, with a full foliate border, at the beginning of Psalm 1., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David England, S. E. England, S. E. (probably London or East Anglia)

• Historiated initial 'D'(ixit) of David and the Fool with a full foliate border, at the beginning of Psalm 52., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David and the Fool England, S. E. England, S. E. (probably London or East Anglia)

• Detail of a historiated initial 'D'(ixit) of David and the Fool with a full foliate border, at the beginning of Psalm 52., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David and the Fool England, S. E. England, S. E. (probably London or East Anglia)

• Detail of a historiated initial 'S'(alvum) of David in water addressing God, at the beginning of Psalm 68., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David England, S. E. England, S. E. (probably London or East Anglia)

• Historiated initial 'S'(alvum) of David in water addressing God, at the beginning of Psalm 68., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

c. 1561), warden of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. David England, S. E. England, S. E. (probably London or East Anglia)

• Detail of a historiated initial 'D'(ilexi) of clerics singing a requiem over a coffin, at the beginning of Psalm 114., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Office of the Dead England, S. E. England, S. E. (probably London or East Anglia)

• Historiated initial 'D'(ilexi) of clerics singing a requiem over a coffin, at the beginning of Psalm 114., Psalter with Canticles and the Office of the Dead (The 'Princess Joan Psalter')

of the Company of Stationers of London in 1558.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Office of the Dead England, S. E. England, S. E. (probably London or East Anglia)

• null, Glossed Digestum Novum

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Drawings of coats of arms of knights of the Order of the Garter at the time of Henry V, founder of the order., Armorial of members of the Order of the Garter

value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Heraldry Peter Bale (see ~Catalogue~ 1808) Peter Bale William Dethick London England, ?S. E. (?London)

• Initial 'E'(t) with pen-flourishing, and marginal drawing of a bird, in Guillelmus Ocham's Summa totius logicea., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Unfinished miniature (underdrawing) of Guillelmus Ocham in a philosophical dispute, in Guillelmus Ocham's Summa totius logicea; in the lower margin inscription of Henricus Geyst., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Initials with pen-flourishing, including birds, a rabbit etc., in Guillelmus Ocham's Summa totius logicea., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Unfinished miniature (underdrawing) of Guillelmus Ocham in a philosophical dispute, in Guillelmus Ocham's Summa totius logicea., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Inscription of Henricus Geyst in the lower margin., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Unfinished miniature (underdrawing) of Guillelmus Ocham in a philosophical dispute, in Guillelmus Ocham's Summa totius logicea., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Marginal drawing of a bird, in Guillelmus Ocham's Summa totius logicea., Summa totius logicae

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 3v; its book-plate with the pencil inscription: ‘XIII.2.23’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with