• Ownership inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.7.1’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Puzzle initial 'P'(rima), at the beginning of the second volume of Ludolphus de Saxonia's Vita Christi., Vita Christi (pars II)

1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.6.3’, f. ii).Purchased by the British Museum from the Royal Society of London together with

• Detail of a drawing of a pope and two women., Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• null, Chronica pontificum et imperatorum, and other prophetic texts, including Joachim of Flora's Vaticinia (ff. 137-151)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Text page., The Siege of Thebes

the Royal Society in 1667.The Royal Society, London: its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of decorated initial., Compendium juris canonici

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIV.3.3’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of puzzle initial., Bible with prologues, and Interpretation of Hebrew names (ff. 488-525v)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 4).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Text page., The Siege of Thebes

the Royal Society in 1667.The Royal Society, London: its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels; and the historiated initial 'C'(um) of David playing the harp with two angels, at the beginning of Psalm 4., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

Psalm 4. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4

• Detail of a miniature of Alban holding a Tau-cross, presenting kneeling duke Humfrey of Gloucester (or perhaps Henry VI), with a scroll reading 'Pietas tua domine operetur in me', to Christ as Man of Sorrows and figure of the Trinity, beneath the dove of the Holy Spirit and the Father, with two angels., Selection of Psalms, with calendar, prayers, and litanies ('The Psalter of Humfrey of Gloucester')

two angels. Other manuscripts associated with the Master of Duke Humfrey's Psalms are: Guildhall, Corporation of London Records Office, 'Statuta Antiqua Angliae', f. 137, London, Drapers' Company, Patent of Arms, 10 March 1439, Capetown, South African Public Library, Grey 4

• Decorated initials, line fillers, and a partial trompe l'oeil border with a bee., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and partial trompe l'oeil borders with flowers and a butterfly., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border of flowers., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Decorated initials, line fillers, and a partial trompe l'oeil border, with a butterfly and a ladybug., Book of Hours ('Hours of Louis XII', or 'Hours of Henry VII'), imperfect

City Museum and Art Gallery, No. K 2407, Nativity, London Victoria and Albert Museum, No. E. 949-2003, Adoration of the Magi, the Musée du Louvre, No. RF 53030, Flight into Egypt, London, Private Collection, and Louis XII in Prayer, Presentation

• Puzzle initial 'T'(hese), at the beginning of Exodus, and pen-flourished initial 'A'(ftir), at the beginning of chapter 2 of Exodus., Wycliffite Bible, in the later version (from Genesis to Job), with glosses

~Catalogi librorum manuscriptorum Angliae et Hiberniae~, 3 vols (Oxford: Sheldonian, '1697'), II, no 6397.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the list of Theyer's library assessed by William Beveridge and William Jane in 1678, Royal Appendix,

• Historiated initial 'I' of two Creation scenes: the Creation of the Sky and of the Earth. The Creator is represented with two faces., Cutting from a Gradual

the ?figure and Prudence ? / and Pisano south gate of St Giovanni Florence'.Walter Benjamin Tiffin (b. 1795, d. 1877), London art dealer and publisher: purchased from him by the Department of Prints and Drawings of the British Museum on

• Historiated initial ?'O' of Christ giving two books to a kneeling king. Below drolleries of two winged putti musicians., Cutting from a choir book

'Matteo di Cambio? / ?la F. XXIV of Rossini / XIV cent' (f. 4v).Walter Benjamin Tiffin (b. 1795, d. 1877), London art dealer and publisher: purchased from him by the Department of Prints and Drawings of the British Museum on

• Historiated border men driving sheep from a shed, for April., Texts and decoration added to a Book of Hours

his armorial bookplate (inside upper cover). Bought by the British Museum from Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 8 May 1847 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Miniature of George fighting the dragon, with a full border with George passing the king's daughter, at the beginning of a prayer to George., Texts and decoration added to a Book of Hours

his armorial bookplate (inside upper cover). Bought by the British Museum from Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 8 May 1847 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis

• Historiated border with sheep shearing, for June., Texts and decoration added to a Book of Hours

his armorial bookplate (inside upper cover). Bought by the British Museum from Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 8 May 1847 (note on 1st flyleaf verso), using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis