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from the Twelfth to the End of the Nineteenth Century~, ed. by Robert Henry Benson, 2 vols (Oxford: University Press; London: H. Milford, 1927), I, no. 17, fig. 15). Musical notation. 1 miniature in colours and gold, of Benedictine monks
February, 1837 from Straker by the British Museum, using the Bridgewater fund (£12,000 bequeathed in 1829 by Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829): inscription (f. [ii]). . Illuminated initial and border London England, S. (London)
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Gower London England, S. E. (?London)
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
association (Clement was the patron of the London Bakers) (see discussion Rogers 2002).Unidentified original owner: his arms, overpainted (ff. 45, 68).Edward (b. c. 1504, d. 1564) 1st baron North, the son of a London merchant, by 1554: inscribed with his
£10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Gower London England, S. E. (?London)
by her soon after World War II through her brother, Tomás Harris, managing director of the Spanish Art Gallery in London. Accepted by HM Treasury in lieu of inheritance tax from the estates of Miss Violeta Harris and her sister,
Manuscripts and Oriental Manuscript Books, in the library of the Honourable Robert Curzon, at Parham in the county of Sussex~ (London: William Nicol, 1849). Darea Curzon (b. 1860, d. 1917), 16th baroness Zouche: bequeathed by her to the British Museum
Manuscripts and Oriental Manuscript Books, in the library of the Honourable Robert Curzon, at Parham in the county of Sussex~ (London: William Nicol, 1849). Darea Curzon (b. 1860, d. 1917), 16th baroness Zouche: bequeathed by her to the British Museum
Manuscripts and Oriental Manuscript Books, in the library of the Honourable Robert Curzon, at Parham in the county of Sussex~ (London: William Nicol, 1849). Darea Curzon (b. 1860, d. 1917), 16th baroness Zouche: bequeathed by her to the British Museum