• Marginal decoration of a dragon., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Initial word, ~Kol~ (all), at the beginning of ~Kol nidre~ (all vows) inhabited by dragons and hybrids., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Decorated catchword., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,

• Illuminated initial on a text page., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Miniature of prince Henry in armour on horse-back (oxidised)., 'Le Pourtraict de Monseigneur le Prince': a description of Henry Frederick, prince of Wales, as a champion of Protestantism

Library): included in the catalogue of 1666, Royal Appendix 86, f. 86, no. 11.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Prince Henry in armour on horse-back England, S. E. (London)

• Detail of historiated initial with bishops., Lections for feasts of saints, including Vita Gregorii, the life of St Augustine; Nativitate St Maria, Vita Edwardi regis (one chapter), and other texts

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'M'(oicti), and full border, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• White vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, initial 'A'(ussi), and full border, at the beginning of Book 3., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Initial 'R' with the arms of Henry Despenser, bishop of Norwich, in the upper margin the signature of 'William Howarde 1579', in the right margin an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London., Historia ecclesiastica (ff. 1-99), De muliere forti, Epistola Cuthberti

an ink drawing of a lion rampant, and in the lower margin the ink stamp of the Royal Society of London. 1 full foliate bar border and large initial in colours and gold, with a quadruped (dragon) on the border

• White vine initial 'C'(inne), and full white vine border with birds, a rabbit, and two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 2., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a miniature of the three estates (Church, Nobles, and Labour) in debate before Theology, Logic, Arithmetic, Geometry and Music, at the beginning of Book 3., Débat de félicité

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XV.6.5’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Lower part ot the full white vine border, two putti holding escutcheons with the heraldic arms of Pirckheimer, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Part ot the full white vine border, with birds and a rabbit, at the beginning of Jacobus Angelus de Scarperia's Plutarchi Vita Cesaris., Plutarchi Vita Cesaris

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1v; its book-plate with the pencil inscription: ‘XIII.2.26’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Detail of a white vine initial 'S'(epenumero) and three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the lower part of a three-sided border, with white vine, putti, birds, butterflies, rabbits and portrait bust miniatures, at the beginning of De re rustica., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Detail of the title, encircled by a wreath and held by two putti., De re rustica

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 2v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Full-page decoration at the beginning of a ~piyyut~ (liturgical poem) for Yom Kippur (Davidson vol. 1, no. 2106). The text of the poem is surrounded by an architectural frame with towers on both sides and with columns held by lions. The upper section of the frame is scallopped and is flanked by a dragon and a hybrid., Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor')

42) 5 decorated catchwords (ff. 69v, 77v, 84v, 90v, 98v). Prayers for Rosh ha-Shanah and Yom Kippur, Ashkenazi rite (aka 'London Days of Awe Mahzor') Hayyim, the scribe: the word ~hayyim~ is decorated on ff. 10, 31, 37v, 67, 103v,