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initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
initials in red with purple pen-flourishing or in blue with red pen-flourishing. Abbreviamen de las Estorias (begins imperfectly), or Chronologia magna The text is a summary of universal history, from the creation of the world to the death of the
Carpet page with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs
Carpet pages with colophon. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff.
Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the
Text page. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs in the margins (e. g., ff. 76, 76v,
Full border of geometric design at the Song of the Sea (Ex. 15). f. 1 is cut off most part. Folios 1 and 4 are later additions.Hebrew foliation from f. 5, starting with 2 until the end of the
Carpet pages with verses from the Psalms in micrographic design. The scribe's name is not mentioned in the colophon,on his identification, see Richard Ettinghausen, 1964, p. 33. 4 carpet pages in colours (ff. 38v, 39, 154v, 155), Micrographical designs
Arcades framing ~masoretic~ lists. Watermark, of a lamb holding a cross (f. [ii]) and initials of JW (f. [425]), of James Whatman II, paper maker (1764-1793). Gilt edges.Foliation is written on the verso side of the leaves. Hebrew foliation