• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Miniature of Christ the Redeemer, at the beginning of an added prayer in English., Added miniature for an inscribed prayer in English

the beginning of an added prayer in English. Traces of pilgrim badges (f. 27v). 1 full-page miniature including heraldic arms, in colours and gold (f. 3v). Added miniature for an inscribed prayer in English A member of the Gower family,

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Page of music on the verso of the folio., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Miniature of David in penitence, and decorated initial 'D'(omine), at the beginning of the Penitential Psalms., Prayer Book

branches, in gold and purple. All text pages framed in gold. Rubrics in gold. Prayer Book Apparently designed for an English owner: inscribed by Henry VIII and Cardinal Wolsey: see Backhouse 1994.Inscriptions in French, 16th-century: 'en priant a saintte George…',

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Detail of a miniature of the marriage of Alfour, king of Sicily, and princess Sybil of Spain., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of prince Philip surreptitiously leaving Paris to go to the aid of the king of Sicily., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of the Christian fleet approaching Gaeta with archers poised to defend the city., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of a storm destroying the Christian fleet., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of the Turks withdrawing their seige., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of the Turkish army with its baggage train leaving a Sicilian city., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that

• Detail of a miniature of princes Philip, Humphrey, and David taking leave of Ferant the Turk., Edward's IV's Descent from Rollo (ff. 1-7); Romance of the Three Kings' Sons (ff. 8-123)

manuscript is the only fifteenth-century illuminated manuscript of a romance in English to survive, according to Sutton and Visser-Fuchs 199.'This manuscript contains the sole surviving translation in Middle English of the Romance of the Three Kings' Sons, a text that