• Detail of the miniature of the Martyrdom of Blaise., Cuttings from a Missal of Clement VII

be from his collection (see below), but not identifiable in his sale, 28 April 1856.Thomas Miller Whitehead (d. before 1898), English collector: inscribed on verso 'This fine border is undoubtedly by the great Miniature painter Girolamo dai Libri of whom

• Montage composed of a miniature of the Assumption of the Virgin above the inscription 'Assumpta Est Maria' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and a yoke with motto 'Suave', two prophets in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici device of the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

be from his collection (see below), but not identifiable in his sale, 28 April 1856.Thomas Miller Whitehead (d. before 1898), English collector: inscribed on verso 'This fine border is undoubtedly by the great Miniature painter Girolamo dai Libri of whom

• Montage composed of a miniature of the Martyrdom of Blaise surmounted by two Medici devices of a yoke with motto 'Suave' (centre); a three-sided historiated border of the arms of Clement VII, the Medici devices of a diamond ring with three feathers and motto 'Semper' and the motto 'Candor Illesus' inscribed on a banner curling round a tree and a trunk supporting a crystal ball through which pass sun rays, one of which hits the tree causing it to burst into flames and the other striking the banner but with no effect, and two sibyls in medallions and anthropomorphic and zoomorphic grotesques (left); and a single historiated border of the Medici 'Candor Illesus' device, two prophets in medallions and anthropomorphic and zoomorphic grotesques (right)., Cuttings from a Missal of Clement VII

be from his collection (see below), but not identifiable in his sale, 28 April 1856.Thomas Miller Whitehead (d. before 1898), English collector: inscribed on verso 'This fine border is undoubtedly by the great Miniature painter Girolamo dai Libri of whom

• verso of dismembered montage of a historiated border. On the reverse of f. 82a are five lines of partial text from the Kyrie Eleison: 'e eleison / e eleison / ste eleison / ste eleison / ste eleison'., Cuttings from service books of Pius IV

and ff. 42-50 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers.Musical notation (f. 90a verso).Other cuttings from service books of Pius IV include London, Sotheby's 26 Jan 1959, lot

• A dismembered montage of a section of foliate and historiated border with zoomorphic figures, trompe l'oeil gems and a roundel containing a seated female personification of Roma (Rome) facing left in profile, holding a winged victory in her right hand and a sword in her left with at her feet piled trophies of arms and shields (f. 10b; 245 x 60 mm; at centre of image) and two sections of foliate border with anthropomorphic grotesques (f. 10a, 245 x 60 mm; f. 10c, 240 x 60 mm). On the reverse of f. 10b are remnants of a foliate, historiated border with two simulated cameos., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other cuttings from the same manuscript include Add. 60630, ff. 9, 19-32; Ann Arbor, Michigan, University of Michigan

• A dismembered montage of a section of foliate border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable, two cameos of male busts in profile flanked by the iitials 'M. C.' and 'T. A.', foliage and urns in monochrome (f. 6b; 80 x 155 mm), and two cuttings in gold inscribed in capitals 'Anton. Pallavicinus Genuensis Cardin. S. Praxedis' (f. 6a; 75 x 15 mm) and 'Creat. Ab Innoc. VIII An Domini MCCCCLXXXIX' (f. 6c, 80 x 15 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other cuttings from the same manuscript include Add. 60630, ff. 9, 19-32; Ann Arbor, Michigan, University of Michigan

• A dismembered montage of a historiated initial 'T' of Christ supported in the Tomb as Man of Sorrows (f. 9e; 105 x 85 mm), sections of foliate and historiated border with the arms of Cardinal Antoniotto Pallavacini: chequy of three points or and azure, and a chief or an estacade sable (f. 9a; 250 x 60 mm) and God in roundels (f. 9b; 30 x 85 mm), foliage (f. 9d, 60 x 85 mm; 9f, 70 x 90 mm) and anthropomorphic figures (f. 9c; 255 x 55 mm) and cuttings in gold (f. 9g, 5 x 55 mm; f. 9-h, 5 x 90 mm)., Cuttings from a Missal of Cardinal Antoniotto Pallavacini

and ff. 8-16 [box 2]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other cuttings from the same manuscript include Add. 60630, ff. 9, 19-32; Ann Arbor, Michigan, University of Michigan