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British Library Catalogue of Illuminated Manuscripts icon

British Library Catalogue of Illuminated Manuscripts

126 results from this resource . Displaying 21 to 40

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of

proposed by Patricia Stirnemann. Numerous large puzzle initials in red and blue with pen-flourishing in the same colours (except in quires viii and ix). The flourishing includes a fantastic animal on f. 1. Numerous smaller initials in red or blue

is attached to the centre of the diagram. Inconspicuous quire marks (on the verso of the last leaf of the quires). A thread used to hold a missing parchment disc in place for working with one circular diagram remains in

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate

the abbey's liberties, with red initials, late 13th century with later additions (ff. 4-15v; 205-247v). Numerous additions throughout and on quires added at the end regarding the abbey, often written in Gothic cursive, mid-13th to mid-15th century.Inscribed 'Clayton in S.

Roy (Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part,

(Additional 28162). 4 full-page miniatures, divided in several compartments, in colours and gold, on separate leaves added to the quires (ff. 1v, 6v, 29, 52v [bound in the 19th century in this volume, belonged formerly to the other part, La

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