• Detail: initial-word panel ~Wa-yehi~ (there was) with its frame inhabited by dragons with foliate scroll tails, at the beginning of Ruth., Festival prayer book (~mahzor~) for the Special Shabbatot, Passover, Shavuot with the Book of Ruth, and Ninth of Av with the Book of Lamentations, Ashkenazi rite (aka 'Tinted Mahzor')

of Ruth. Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f.

• Detail: marginal drawing of two dragons with their necks entwined with an inscription incorporated the drawing, ‘Dragon Samael’, perhaps added, in Ruth., Festival prayer book (~mahzor~) for the Special Shabbatot, Passover, Shavuot with the Book of Ruth, and Ninth of Av with the Book of Lamentations, Ashkenazi rite (aka 'Tinted Mahzor')

in Ruth. Watermark on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f.

• Detail: marginal drawing of a lion in the outer margin, partially mutilated., Festival prayer book (~mahzor~) for the Special Shabbatot, Passover, Shavuot with the Book of Ruth, and Ninth of Av with the Book of Lamentations, Ashkenazi rite (aka 'Tinted Mahzor')

[405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7 is bound upside down.Numerous

• Detail: decorated initial word ~Barukh~ (blessed) with six dog busts on top of its letters., Festival prayer book (~mahzor~) for the Special Shabbatot, Passover, Shavuot with the Book of Ruth, and Ninth of Av with the Book of Lamentations, Ashkenazi rite (aka 'Tinted Mahzor')

on f. [405] of a monogram VCF. Instead of catchwords, the end and the beginning of the quires are numbered with Hebrew characters included into decorated panels starting with ~alef~ (numerical value 1) on ff. 15v-16. f. 7 is bound

• Historiated initial 'A'(d) with the Mass and full foliate borders including birds and heraldic arms., Missal, use of Paris

The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large

• Miniatures of the Crucifixion and the Majesta Domini, at the beginning of the Canon of the mass., Missal, use of Paris

mass. The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15

• Historiated initial of the Nativity., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Historiated initial of the Adoration of the Magi., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated intial of Peter in chains between two soldiers., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated initial of a monk praying before an altar., Missal, use of Paris

initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with

• Historiated initial of the Resurrection., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Detail of a historiated initial of Pentecost., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Detail of historiated initial of the Trinity., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Historiated initial 'D'(ominus) with Andrew., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Detail of historiated initial of the Presentation., Missal, use of Paris

protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial

• Historiated initial of the Presentation., Missal, use of Paris

with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials with partial foliate

• Miniature of the Crucifixion, with the sun and moon overhead, and the Virgin Mary and John the Evangelist below., Missal, use of Paris

Evangelist below. The first historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146).

• Miniature of God enthroned, surrounded by symbols of the four evangelists., Missal, use of Paris

historiated initial protected with white silk. Medieval quire signatures, at the end of quires 'Corr.^c^' for correctus. 2 full-page miniatures, in colours and gold, at the beginning of the Canon of the mass (ff. 145v, 146). 15 large historiated initials

• Miniature of Theoderic and Childebert with knights entering two cities, with a foliate initial 'A'(insi), at the beginning of chapter 6 of book 2., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except

• Miniature of Charles the Great receiving Clement Scotus and his companion, and Charles the Great giving the Tours abbey to Alcuin, at the beginning of chapter 3 of 'Charlemagne' book 3., Chroniques de France ou de St Denis

after Paris, Bibliothèque nationale, fr. 5716): quires 2, 5-14, 17, 19, 22-26, 38;II: identified with the Master of the Cambrai Missal (named after Cambrai, Bibliothèque municipale 157): quires 20-21;III: quires 3, 4, 30; IV: quires 15, 16, 18, 21, except