• Decorated initial 'N'(ecesse) and border, at the beginning of Richard Rotheram's De pluralitate beneficiorum; heraldic arms., De pluralitate beneficiorum (ends imperfectly)

1). Smaller initials in blue with red pen-flourishing. De pluralitate beneficiorum (ends imperfectly) Unidentified owner, middle of the 15th century: arms of the see of Winchester, ~gules~, a sword and key crossed, ~or~ and ~argent~ (f. 1).Bought by the British

• Decorated headpiece and brown initial 'K'(ai), in the Apophthegemata Patrum., Apophthegemata Patrum, of 'Sabaite type'

knots. Apophthegemata Patrum, of 'Sabaite type' Mostly written by Ioannes Philagrios in Crete for Georgios of Chandax (colophon, vol. 2, f. 179).Marginal annotations by Neilos Damilas (vol. 2, ff. 7v-125, see Gamillscheg and Harlfinger 1981 no. 293).Table of contents (vol.

• Decorated braided headpiece and decorated initial at the beginning of the Apophthegemata Patrum., Apophthegemata Patrum, of 'Sabaite type'

knots. Apophthegemata Patrum, of 'Sabaite type' Mostly written by Ioannes Philagrios in Crete for Georgios of Chandax (colophon, vol. 2, f. 179).Marginal annotations by Neilos Damilas (vol. 2, ff. 7v-125, see Gamillscheg and Harlfinger 1981 no. 293).Table of contents (vol.

• Detail of marginal drawings for Passover with Judeo-Italian captions., Prayer book, Italian rite

Detail of marginal drawings for Passover with Judeo-Italian captions. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with full floral border (f. 1). 3 drawings illustrating the text, in brown

• Detail of a painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat., Prayer book, Italian rite

Detail of a painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified.

• Detail of a painting of a man sitting at the spread table lifting his cup and saying the blessing over food., Prayer book, Italian rite

Detail of a painting of a man sitting at the spread table lifting his cup and saying the blessing over food. Captions of the drawings are perhaps in Judeo-Italian. Watermark of a ~fleur-de-lis~, f. [183], unidentified. Decorated initial-word panel with

• Decorated initial 'R'(ex) with pen-flourishing., Nova Statuta (index Statutes of England, Statuta Angliae, Statute book), for 1-50 Edward III (ff. 14-245), imperfect

of England, Statuta Angliae, Statute book), for 1-50 Edward III (ff. 14-245), imperfect Inscribed 'Richard', 14th century (f. 4). Added texts including a list of contents (ff. 1-3v, 5-13v), and statutes for the 12th year and 15th year of

• ~Masorah~ in micorgraphic design at Joshua., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Micrographical design in the margins, at the end of Genesis and beginning of Exodus., Pentateuch with ~masorah magna~ and ~parva~

in the margins, at the end of Genesis and beginning of Exodus. Some micrographical motifs are similar to the ones in Harley 5774. ~Masorah~ in the margin written in micrographic form. 18 full-page panels of micrographical design (ff. 2v-7, 192-196).

• ~Masorah~ in micrographic design at the end of Numbers and beginning of Deuteronomy., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Text page: Isaiah 51-52., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Panel decorated with pen-flourishing at the end of the Book of Ezekiel., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Text page: 2 Samuel 21-22., Duke of Sussex Bible with ~masorah magna~ and ~parva~

quarter of the 17th century): inscribed with his name, 1618 (f. 477v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix § 80-84.Birth entries in Spanish of four sons of an

• Detail of two miniatures of the allegorical figures of Convoitise and Avarice., Roman de la Rose

Detail of two miniatures of the allegorical figures of Convoitise and Avarice. The text of the Roman de la rose was begun around 1220, possibly by Guillaume de Lorris and continued by Jean de Meun between 1269-1278. It is around

• Decorated initials 'S'(ancte) and 'D'(eus) in a Lectionary in the reading for Kyneburga of Gloucester., Lectionary, including the life and miracles of saint Kyneburga in Gloucester, imperfect

: evidence of the liturgy (see Ker 1964). ? Richard Graves (b. 1677, d.1729), antiquary: note written in 1731 by James West that he 'bought this Book of Morgan Graves Esq. Son of that Excellent Antiquary Richard Graves of Mickleton

• Detail of a two-column miniature of Guillaume de Lorris and Narcissus, at the beginning of Guillaume de Lorris's Roman de la Rose., Roman de la Rose

Detail of a two-column miniature of Guillaume de Lorris and Narcissus, at the beginning of Guillaume de Lorris's Roman de la Rose. The text of the Roman de la rose was begun around 1220, possibly by Guillaume de Lorris and

• Two-column miniature of the author (Amant) sleeping and Oiseuse appearing on the garden wall., Roman de la Rose

1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Detail of a miniature of Narcissus, at the beginning of Guillaume de Lorris's Roman de la Rose., Roman de la Rose

Detail of a miniature of Narcissus, at the beginning of Guillaume de Lorris's Roman de la Rose. The text of the Roman de la rose was begun around 1220, possibly by Guillaume de Lorris and continued by Jean de Meun

• Detail of a minature of a woman and man standing at the doorway to a building., Roman de la Rose

1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Detail of a miniature of a crowned angel with five other figures., Roman de la Rose

1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the