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Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
Detail of roundels of various foetal presentations. Lining of the text block in red.ff. 1 and 234 are parchment flyleaves. Roundels of foetal presentations in colours on red grounds (ff. 217-218v). 1 3-sided border in colours and gold with foliate
bar-border and the arms of William FitzAlan, earl of Arundel impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury. Includes five works by Thomas Hoccleve (b. c.1367, d. 1426): The Regenment of Princes (ff. 4-101v), addressed
Decorated initial 'R'(ichard) at the beginning of statutes ofRichard II. There are 3 unfoliated parchment leaves after f. 16, and 4 after f. 144. Full border in gold and colours (f. 17). Large initial in colours with foliate decoration
1).? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl of Norfolk, art collector and politician.Henry Howard (b. 1628, d. 1684), 6th duke of Norfolk, presented to the Royal Society in 1667.The
librarian of Robert and Edward Harley 'Bought of Mr Noble' (f. 1).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford
patristic excerpts Added parts of a version of a revision of the Sarum Ordinal of 1278-1279 (ff. 1-2, 83-84v).Added notes in English 14th-century hand (f. 2v).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop ofYork, and cardinal: 'TC' monogram,
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Full-page miniature of the menorah with caption in Ashkenazi square script. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the
Tablet of Law, and the Altar, with captions in Ashkenazi square script. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Detail of a drawing of the Sacrifice of Isaac with Abraham's two servants, the donkey and a dog resting in a field. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On
Archiv d’Urbino, 1687, below it oval stamp perhaps of the Archiv (f. 480v); ee William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 44.Moses Panzi of Ricanati: inscribed with his name, undated (f. 1).Inscriptions,
Detail of a page: the Ark of the Covenant with the cherubim. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of
Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.
Detail of a page: Temple implements. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the Washington Haggadah', pp. 36, 42.
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,
impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury; his badge of a white horse with a motto 'My trust ys' (f. 120).Drawing of two interlaced gloves, 15th century (f. 102).Scribblings and signatures of Harry Courtenay,