(a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Puzzle initial 'I.M.' and other scribes I.M. John of Wales
1st duke of Buckingham and Chandos, of Stowe House, near Buckingham.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1797, d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham
d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the
at an auction of the Books of P. C. Webb . . . March 1771 for uuue. J Lowes' (f. 1).J. Lowes: see inscription above.Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of Buckingham and Chandos, of Stowe House, near
in alternating colours of red, green and blue on each line. Portions of penwork decoration in colours and gold. De civitate Dei (index City of God), fragment ? William Flower (b. 1497/8, d. 1588), herald, Norroy King of Arms, and
in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II England
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial and ownership
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became
14th century (ff. 1*, 132).Antonio Beccaria of Verona, translated and perhaps written by him for Humfrey [or Humphrey of Lancaster], duke of Gloucester (b. 1390, d. 1447), prince, soldier, and literary patron, duke of Gloucester from 1414, after he became