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and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of book 5. Contains the Commoda Ruralia of Petrus de Crescentiis, in twelve books,
the arms of Edward IV, a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', and the arms of Edmund. Contains the second translation of De casibus virorum illustrium of Boccaccio made
Detail of inhabited initial 'A'. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by the
Historiated initial 'A', with foliate borders. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by
of angels supporting the coat of arms of George Neville, archbishop ofYork (f. 4v), and gold initial with tendrils in a white vine style extending into the margin and including a bird and a head, at the beginning
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
Detail of a miniature of the griffin of Salisbury in the lower margin of the folio, at the beginning of book 1. Includes one of 11 extent copies of the first English translation of 'De re militari' of Flavius Vegetius
Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,
: evidence of the liturgy (see Ker 1964). ? Richard Graves (b. 1677, d.1729), antiquary: note written in 1731 by James West that he 'bought this Book of Morgan Graves Esq. Son of that Excellent Antiquary Richard Graves of Mickleton
trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin. Contemporary sketch of the Virgin (blank leaf after f. 97).No calendar; Hours of the Virgin (f. 3) and Office of the Dead (f. 98) begin imperfect.
and landowner, of Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books
red. Outlines of initials in blue and/or red (ff. 59v, 69). 5 decorated catchwords (ff. 73v, 81v, 89v, 97v, 105v). Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25) The Augustianian priory of Bradenstoke, Wiltshire,
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.