• Miniature of Charles the Bold enthroned with the arms of Burgundy above, receiving the book from Vasco de Lucena, with a tapestry in the back of the room decorated with the flint and steel of Burgundy and Charles' motto 'Je lay emprins; encircled by a full border containing the royal arms of England on a shield and on two banners held by a siren and a knight, with a foliate initial 'A'(tres), at the beginning of the prologue., Cyropaedia (Cyropédie)

the beginning of the prologue. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded

• Miniature of the meeting of Cyrrus and Hyrcanian, with a partial border containing the royal arms of England., Cyropaedia (Cyropédie)

royal arms of England. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by

• Miniature of Cyrrus enthroned and Chrysanthes addressing the Persians, with a partial border containing the Yorkist badge., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrus and his troops in a phalanx, and an illuminated initial 'T'(andis)., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrus and his army marching off to war., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of the meeting of Cyrrus and Hyrcanian., Cyropaedia (Cyropédie)

Detail of a miniature of the meeting of Cyrrus and Hyrcanian. Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal

• Detail of a large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Large miniature of an army on the march with a king on horseback., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Detail of a miniature of Cyrrus enthroned and Chrysanthes addressing the Persians., Cyropaedia (Cyropédie)

Contains Cyropaedia of Xenophon translated in French as the Cyropédie from a Latin version of Poggio Bracciolini by Vasco da Lucena, a Portuguese in service of Isabella of Portugal and then Margaret ofYork; preceded by a list of contents

• Historiated initial 'M' of the Calling of Peter and Andrew., Cutting from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Illuminated initial and border with foliate decoration at the beginning of the Poor Caitiff., The Poor Caitif; with calendar (November and December missing) (ff. 2-6v); a moral treatise (f. 161r-161v)

(f. 161r-161v) Additional text of the rules for ascertaining the date of the moon's changes, and rhymes concerning Bentley of Cheveley, 16th century (ff. 1v, 158).f. 161 contains a brief fragment of the Oleum Effusum ofRichard Rolle.Denis Beke and

• Historiated initial ?'O' of two male saints, measuring 155 x 100 mm. On the reverse, two four-line staves, musical notation and partial text 'eluia'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'G' with the Assumption of the Virgin, measuring 80 x 85 mm. On the reverse, one four-line stave, musical notation and partial text 'collau'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'N' with Peter and Paul, measuring 160 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...expectatio /…bis iude'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Historiated initial 'I' or 'L' with Christ among the Doctors, measuring 165 x 160 mm. On the reverse, two four-line staves, musical notation and partial text '...Vidi m[us] /...in oriente et'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'O', measuring 80 x 80 mm. On the reverse, one four-line stave, musical notation and partial text 'sti' (upper left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial ?'C' with the head of a cherub, measuring 85 x 90 mm. On the reverse, one four-line stave, musical notation and partial text 'o nis' (upper right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'L', measuring 90 x 80 mm. On the reverse, partial text 'men adreu / nder(u)nt. Eta / t po(?). Lori / Repetat(ur) tota / s d(?) hec an(n)a' (lower left)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'L', measuring 80 x 75 mm. On the reverse, partial four-line stave, musical notation and text (lower right)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Foliate initial 'C' with anthropomorphic heads, measuring 155 x 160 mm. On the reverse, two four-line staves, musical notation and partial text 's me deus / ris meus. Ps(almus)'., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.