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Cartulary of the Cistercian abbey of Byland, imperfect The latest document is dated 1393 and Richard II is described as 'rex ultimus', suggesting a terminus ante quem of 1413 (f. 92v). Burton 2004 p. xxvii argues that the absence of
England.Giovanni Gigli of Lucca's poem celebrates the marriage of Henry VII (r. 1485-1509) to Elizabeth ofYork in 1486 and the birth of their first son Arthur (b. 1486, d. 1502), prince of Wales. Gigli later became bishop of Worcester
England.Giovanni Gigli of Lucca's poem celebrates the marriage of Henry VII (r. 1485-1509) to Elizabeth ofYork in 1486 and the birth of their first son Arthur (b. 1486, d. 1502), prince of Wales. Gigli later became bishop of Worcester
list of books at Richmond Palace of 1535, no. 60; and perhaps in the Catalogue of 1666, Royal Appendix 71, f. 13v.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Richard I
list of books at Richmond Palace of 1535, no. 60; and perhaps in the Catalogue of 1666, Royal Appendix 71, f. 13v.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Richard I
beginning of the list of contents. Contains the Master of Game of Edward, 3nd duke ofYork (b. c.1373, d. 1415), dedicated to the prince of Wales, a translation of the Livre du chasse of Gaston Phébus, count of Foix,
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same Antiphoner as the present cutting. 1 historiated initital 'D' in colours and gold, of the Prophet Zacharias.
Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.