• Miniature of Richard II giving instruction to the earl Marshal and another man, with a partial border., Chroniques

in the list of books at Richmond Palace of 1535, no. 11.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Richard II Master of the Harley Froissart Master of the London Wavrin

• Genealogy from David to Josaphat, shown in circles connected by a straight line., Genealogical roll of the kings of England to Edward IV, imperfect (the Shorter English genealogical chronicle of the kings of England)

margin (ff. 2v-23). Genealogical roll of the kings of England to Edward IV, imperfect (the Shorter English genealogical chronicle of the kings of England) Edward Rowe Mores (b. 1730, d. 1778), antiquary and historian of printing: inscribed 'Edw. Rowe Mores

• Miniature with heraldic arms of Antonius Cicinello and of the Emperor Charles V, and full architectural borders, at the beginning of the History of the family 'De Cignis' or 'Schwanen'., History of the family 'De Cignis' or 'Schwanen', beginning with the time of Trajan

hand of the authenticity of the work by the 'Proconsules ac Senatus' of Cologne, dated 7 February 1532, with remains of a seal (f. 19). Francesco Cicinello, 16th century (f. 1). Richard Temple-Nugent-Brydges-Chandos-Grenville (b. 1776, d. 1839), 1st duke of

• Unfinished miniature of a seated figure of a king, on the left the drawing of a kneeling donor in prayer, and large decorated initial 'Q'(uando), at the beginning of the Ceremoniale., Ceremoniale

Unfinished miniature of a seated figure of a king, on the left the drawing of a kneeling donor in prayer, and large decorated initial 'Q'(uando), at the beginning of the Ceremoniale. 1 large unfinished miniature, in colours and gold (f.

• Miniature of Saints, decorated initial 'M'(onseigneur), and full foliate border, at the beginning of the prologue of the Légende dorée., Légende dorée (vol. 1)

1797, d. 1861), 2nd duke of Buckingham and Chandos; sold in 1849 to Lord Ashburnham.Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

• Decorated initial 'H'(ortaris), at the beginning of the letter of Jerome to Dexter., De viris illustribus; Retractationes, a list of letters of Augustine, Epistulae ad Quodvulteum; De viris illustribus; De institutionibus divinarum litterarum; In libros veteris et novi testamenti prooemia, extracts from De ecclesiasticis officis, De ortu et orbitu patrum, De nominibus legis et evangelii sive Allegoriae

beginning of the letter of Jerome to Dexter. Includes 'De viris illustribus' of Jerome, preceded by the prefatoty letter to Dexter (ff. 1-18), 'Retractationes' of Augustine (ff. 18-52v), a list of letters of Augustine (ff. 52v-56), Epistulae ad Quodvultdeum of

• Section of border with floral motifs and bezants., Cuttings from a choir book

York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos. 62a, c-d). 2 sections

• Section of border with floral motifs, bezants and Mount Calvary., Cuttings from a choir book

York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos. 62a, c-d). 2 sections

• Historiated initial 'O' of the Adoration of the Magi, including an African king, measuring 140 x 160. On the reverse, partial two four-line staves, musical notation and text: '...regi da et m /...filio regis'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Historiated initial 'D' of a Memento Mori, measuring 125 x 110. On the reverse, partial four-line stave, musical notation and text: '...antur'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Historiated initial 'P' of the Virgin Adoring the Christ Child, measuring 250 x 210. On the reverse, partial two four-line staves, musical notation and text: '...lo tu /… Co[n]. Exulta'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Historiated initial 'I' of a male martyr saint, measuring 100 x 95. On the reverse, partial four-line stave, musical notation and text: '...ti eum'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Historiated initial 'C' of Lawrence, measuring 135 x 120. On the reverse, partial four-line stave, musical notation and text: '...tate domi /...?ium can'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Historiated initial 'T' of a Romanesque church with a rose window by a lake, measuring 100 x 115. On the reverse, partial four-line stave, musical notation and text: '...deficit'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Foliate initial 'E', measuring 75 x 75. On the reverse, partial four-line stave, musical notation and text: '...me'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Foliate initial 'S', measuring 75 x 80. On the reverse, partial four-line stave, musical notation and text: '…tate e'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Foliate initial 'S', measuring 80 x 80. On the reverse, partial four-line stave, musical notation and text: '…um no(n)'., Cuttings from a Gradual

and Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. nos.

• Miniature of the Castle of Love, with the lover addressing three women, with a full border containing the royal arms of Henry VII impaled with those of Elisabeth of York between red and white roses, the Yorkist motto 'Dieu et mon droet', an ostrich feather with a motto 'Ic dene'; and an initial 'D'(u) with a red and white rose., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter

• Decorated initial 'I'(n)., Explanatio in cantica canticorum

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial Richardof Saint-Victor Trier Germany, W.

• null, Homilies on the Gospels for each Sunday of the ecclesiastical year

Homilies on the Gospels for each Sunday of the ecclesiastical year Text copied by the scribe Nikolaos Malaxos (see Gamillscheg and Harlfinger 1981 no. 312).Richard Mead (b. 1673, d. 1754), physician and collector of books and art: bequeathed to Askew.Anthony