• Initial 'D' with pen-flourishing, in Priscian's Grammatica maior., Grammatica maior

204, cf. f. 3).Maffeo Pinelli (d. 1785) of Venice: inscriptions '7945', f. 2, and '7946', f. 3**v, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7945: his London

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• null, Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 247-8; II, 11-12).A member of the Contarini family of Venice: with their arms, bendy of seven, ~or~ and ~azure~, the ~azure~ bends overpainted (f. 1), cf. King's 19.Joseph Smith

• Detail of arms., Orations and letters (ff. 1-147); Invectivum in Ciceronem (ff. 147v-149)

Miniaturists, Illuminators, Calligraphers and Copyists~, 3 vols (London: Quaritch, 1887-1889), I, 248; II, 11-2.A member of the Contarini family of Venice, with the family's (overpainted) arms: bendy of 7, ~or~ and ~azure~, flanked by (overpainted) letters ‘A’ and ‘C’ (f.

• Detail of historiated initial., Grammatica maior

204, cf. f. 3).Maffeo Pinelli (d. 1785) of Venice: inscriptions '7945', f. 2, and '7946', f. 3**v, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7945: his London

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• null, Tractatus in Evangelium Ioannis, imperfect, lacking tracts 18 and 19 and substituting Sermo 125 (ff. 66-70)

Notes with dates 1318 and 1335 (ff. 1, 1v).Maffeo Pinelli (d. 1785) of Venice (listed in his inventory: see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7896: his sale, 2 March 1789, lot

• Detail of decorated initial., Grammatica maior

204, cf. f. 3).Maffeo Pinelli (d. 1785) of Venice: inscriptions '7945', f. 2, and '7946', f. 3**v, corresponding to his inventory number, see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787), III, no. 7945: his London

• Historiated initial 'P'(rosodia) with the author in prayer before the Virgin and Child, and full foliate borders and a bas-de-page scene with a lion and apes, at the beginning of Johannes de Janua's Summa que vocatur Catholicon., Summa que vocatur Catholicon

red and blue. Summa que vocatur Catholicon ? Maffeo Pinelli (b. 1735, d. 1785), Venice: his catalogue (see Iacobo Morelli, ~Bibliotheca Maphaei Pinellii Veneti~, 6 vols (Venice: Typis Palesii, 1787) (see below).Eugen Buckingham, 1810: inscribed 'Given to me by George

• Miniature of the building of the city of Venice., Secreta secretorum (ff. 1-43); Il Tesoro (translation of Li Livres dou Tresor) (ff. 43v-130); miscellaneous texts (ff. 130v-143v)

of the city of Venice. This manuscript was formerly Additional 39844. 50 small miniatures, in colours (ff. 43v, 44, 46, 47, 49, 49v, 50v, 51 (x2), 53, 53v, 54, 55, 55v, 56 (x2), 57 (x2), 57v, 58, 58v, 59v (x3),

• Miniature of Antonio Foscarini being presented to the Virgin and Child by (left to right) Anthony Abbot (bearded, in a hooded robe holding a staff), Nicholas of Bari (in bishop's robes, holding and three golden balls) and Bernardino of Siena (holding Christ's monogram IHS), in a zoomorphic cartouche made up of two sphinxes. Below the winged lion of Mark (symbolising Venice), the inscription in gold square capitals 'Nos Leonardus Lau / redanus Dei Gratia / Dux / Venetiarum et cae', and the Foscarini arms, or a bend lozengy azure. The whole on a ground decorated with scrolling foliage and classical armour within a painted frame. On the recto, a small decorated initial ‘C’ in colours and gold, beginning the text ‘Comittimus tibi nobili viro An / tonio fuschareno dilecto civi / [et] fideli nostro qui in bona gratia vadas et sis / Capitaneus Ripperi[a]e Brixiensis et Provisor / Salodii…’., Leaf of a Doge's Commission (index commissione dogale) from Leonardo Loredan to Antonio Foscarini as capitano of the Riviera of Brescia and provisor of Salò

1855, lot 2249/1 (f. 3v); lot purchased for £3 18s by the British Museum, according to an annotated Western Manuscripts departmental copy of the sale catalogue. Commission from Leonardo Loredan to Antonio Foscarini Benedetto Bordon Venice Italy, N. E. (Venice)

• Miniature of the city 'Pola'., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Miniature of the city 'Zara'., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• null, Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Full-page miniature of a city., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Full-page miniature of a church., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Miniature of a building and a checkered board., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno

• Miniature of a chapel., Account of a journey from Venice to Palestine, Mount Sinai and Egypt

miniatures in colours. Spaces for large initials (ff. 2, 3). Small initials in plain red. Account of a journey from Venice to Palestine, Mount Sinai and Egypt Contemporary note at the end of the volume, perhaps by the author(?) 'Anno